Airplane vs. Volcano

Airplane vs. Volcano

Maybe the directors should consult anyone at all in aviation before making such a ridiculous but hilariously bad movie. Howling just thinking about how bad it is. I want 2 hours of my life back.

When a commercial airliner is trapped within a ring of erupting volcanoes, the passengers and crew must find a way to survive - without landing. But when the relentless onslaught of lava and ash causes fear and distrust amongst those onboard, it isn't just the volcanoes that are life-threatening. Everyone must learn to work together if they are to survive their epic flight of fire. . You can read more in Google, Youtube, Wiki

LinksNameQualitySeedersLeechers

Airplane vs. Volcano torrent reviews

Rodney W (gb) wrote: Funny, but someone really dropped the ball with the ending. Completely disconnected from the rest of the movie.

Nadia Z (fr) wrote: It's not bad. It's TERRIBLE. Don't watch unless you're out of hair to shave, clothes to fold, or walls to stare.

Tim R (mx) wrote: A fascinating but failed experiment in terror. The director, Hernandez, shows lots of spunk, talent and promise. One can only hope somebody gives him some $$ to do a (real) fright film. It may even be scary, something lacking in modern-day horror.

james t (au) wrote: these movies are becoming more and more political stuff thats not what people want

Brett H (it) wrote: Mommie Dearest is the supposed true account of Hollywood actress, Joan Crawford, and her extremely unorthodox behaviour as a parent during the 1940s and beyond; all based on her daughter, Christina Crawford's memoir which she published after her mother's death. This film has become something of a cult-classic due to its campy nature and over-the-top performances, but it's honestly too scattershot and ridiculous for me to ever want to watch again. The lead performance from Faye Dunaway, as Crawford, is the best this film has to offer, and you can tell she is really trying to give the material some gusto; the rest of the cast ranges from passable to cringe-worthy however. The story is very touch-and-go, with no discernible scene transitions, at times feeling like each scene starts as a "Dear diary" entry from Christina's memoir because almost nothing connects fluently. The film is broken up into two parts, with a young portrayal of the children and an adult portrayal, but neither half really works due to the film's biggest weakness: we learn absolutely no insight into who Joan Crawford was or why she behaved as she did. As an in-depth study, the film utterly fails and we're just supposed to take what we're seeing on screen as gospel; without the evidence to back it up. It's not the worst film ever, and the few revelations we learn about Crawford are interesting (she adopted a child for publicity), but the film is so lackluster in its execution, it's no surprise that the only thing people remember about it is the infamous, "WIRE HANGERS" scene.

John H (br) wrote: This movie makes me want to call the electricity company and ask for a 2 hour refund on my power bill.

Logan M (es) wrote: It tries harder to be a torture porn snuff film, than a terrifying slasher thriller.

Jesse O (it) wrote: I don't know why, but this felt like a Lifetime made-for-TV movie to me. I went to this film's Wikipedia page expecting for it to have actually been commissioned as a TV movie. And I don't mean that in a derisive manner, the last Lifetime-esque TV movie I saw, which was actually a Lifetime TV movie, Big Driver, wasn't a half-bad movie. And this is the same way, this ends up being average at best. I don't know, while there's certain parts of the film that I liked, like Emanuel and Linda complimenting each other, Linda being the mother that Emanuel never got to know and Emanuel sort of acting as Linda's daughter after her own baby died in an accident. But there's also a part of me that feels that the movie is a little shallow and it stretches scenes longer than they technically should've gone. I get the whole Linda using a baby doll as a coping mechanism, but how much mileage can you really get out of that? Like they literally went over an hour with this and you just wanted them to get the point by, like, the 45 minute mark. Sadly, however, there's still 30 more minutes until they actually do something about it. And I sort of get why did what they did. Emanuel kept coming over to take care of Linda's 'baby' because Em loved spending time with her. If she bursts her bubble and tells Linda that it's actually a doll, then Em wouldn't be needed around. I get that. But it just takes way too long to get to the point. And when it does, it's not really satisfying. They're only confirming what you've known all along, pretty much. The character of Linda has some intrigue until you find out that she's pretending that the doll is her real daughter and that's about it. After that, you pretty much fill in the blanks on you're own and, really, 99.9% of you will hit the nail right on the head with your guesses. So there's nothing wrong with predicting how everything's gonna play out and being right, but the problem comes in the fact that the movie just really isn't that enjoyable to watch. Like I said, it's average at best, but I just didn't enjoy watching this very much. The character of Emanuel, to me, just isn't that well-written and she comes across more as unlikable as opposed to being just another troubled teen. Those two are really close to each other and it's really easy to think you're writing a troubled character when you really are writing an unlikable one. They're definitely gonna share a lot of the same traits, but, somehow, I just didn't like the character. And this is the character itself, because I thought Kaya Scodelario did a really good job in this movie. Jessica Biel, as well, did a fantastic job here, but I didn't find the movie to be that emotionally satisfying. This, essentially, builds to the moment where both Linda and Emanuel learn to let go and attempt to move on. It's supposed to be this touching, emotional moment, but it just didn't do anything for me. I have no idea why. Maybe it's cause the characters themselves don't feel fully formed, or because they waited so long to get to this point, but I felt nothing. Shame too because, while a bit hokey, there's something that you could've done with these two grieving characters and how they help each other live their lives and move on. But it just didn't reach a great level. Hell, it didn't even reach a good one. Disappointing, since the acting from Kaya and Jessica is so strong. Maybe the events surrounding them are a little dramatic, but the acting is still really strong. The writing is a little bit underwhelming, but not terrible, it's just shallow and dramatically hollow. There's a certain disconnect, since the review makes this movie seem worse than it is. It really is an average movie, but there's average movies that I've enjoyed. This isn't one of them, so, therefore, I can't exactly recommend this. Strong acting, nothing else.

Troy K (fr) wrote: This is a weird movie. It might have been a good movie that turned to crap or it might have been crap that could have become something, but whatever happened....it sucks.