Three young men become terrorized in a high-speed car chase with a mysterious pursuant.
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Fabio V (us) wrote: Dos agentes de Turqua son enviados a Nueva York contra el terrorismo en una misin para encontrar y traer de vuelta al peligroso terrorista islmico: DAJJAL, que creen que se esconde all. Trabajan con el FBI y la polica de Nueva York, los agentes buscan a Hadji Gms, un erudito musulmn respetado y hombre de familia que aos antes de huir a Estados Unidos despus de ser liberado de una prisin turca con cargos de asesinato. Este cuento de amor, amistad, paz y de prejuicios, nos lleva en un viaje que busca responder a la pregunta de si la inocencia o la culpabilidad iguala la situacin de aquel con deseos de venganza.
Davide A (au) wrote: The masterpiece of the australian movie's school. An irriverent and funny take of the true life in the australian's shared houses.
Rob T (nl) wrote: Fairly amusing but not a patch on the TV show or the live shows... gotta love the opening gag with Eddie on the bike though...
Grant S (ag) wrote: It is the early 19th century. An old man is thrown into an insane asylum after trying to commit suicide. He is Antonio Salieri and in the asylum he is visited by a priest, to whom he confesses that he killed Mozart. He then recounts his time as court composer to Emperor Joseph II of Austria. Mozart appears at the court and is hired by the Emperor to produce an opera. His genius is quite evident. Salieri is a devout Christian man and believes all musical talent and inspiration is given by God. Mozart's personal life and extracurricular activities appall Salieri. He cannot reconcile Mozart's talent and his lifestyle and sets out to drive him from the court. Initially his aim is to undermine him but over time his intentions turn deadlier.An enthralling, enchanting, edifying masterpiece. Directed by Milos Forman, who also gave us One Flew Over The Cuckoo's Nest and Ragtime and, later, Man On The Moon and The People vs Larry Flynt. Like in One Flew Over the Cuckoo's Nest, insanity is one of his themes, especially, here, the link between creative genius and insanity (this was also touched on in Man On The Moon). With this in mind, there's a lightness to the movie which propels it along. The movie could easily have been a long, linear, paint-by-numbers account of Mozart's adult life, but Forman gives his characters heaps of depth, and, as mentioned, creates a vibrancy which is very engaging.There is also plenty of darkness, and this plays off against the light on a few levels: insanity vs sanity, funny vs sombre moments, Salieri's faith vs the hedonism of Mozart (and Salieri's later doubts of his own faith). A wonderful combination of contrasts.Most of all, this is an exploration of creative genius, the genius that was Wolfgang Amadeus Mozart. Forman, aided by Tom Hulce as Mozart, F Murray Abraham as Salieri and a wonderful orchestra and soundtrack, powerfully illustrates just how staggeringly talented Mozart was. For example, we have him writing down compositions without correction - he didn't need to play them, it was all in his head and perfectly formed. We also have Mozart dictating music he had just created in his head, showing his thought processes. His creative process is laid bare for all to see, and it is amazing.As mentioned, the soundtrack is great. Background pieces are produced well and chosen well.Both Tom Hulce and F Murray Abraham were nominated for Best Actor Oscars, and both deserved their nominations. F Murray Abraham's Salieri is a study in machinations and malevolence. Hulce is wonderfully over-the-top as the free-spirited genius Mozart. Abraham won the Oscar, but both are fantastic in their roles.Supporting cast gives solid performances. Among the cast are Jeffrey Jones, as Emperor Joseph II, and Simon Callow plus Cynthia Nixon in an early-career minor role.
Jeremy S (mx) wrote: Why 4 stars? Because it is classic 80's genre movie! Totally due!
head B (au) wrote: how do you watch it?
Mark D (mx) wrote: Mediocre crime movie that lacks the strength of a solid and clear plot, which most other Blaxploitation films had.
Steve C (ru) wrote: Asterix Rocks! I love the big song and dance number about food
Jo Y (mx) wrote: Good music and more women.
Jeffrey R (es) wrote: I changed my diet after watching this. Enough said.
Kenny N (nl) wrote: This movie has been called many things: comedy, drama, thriller, action, and horror movie. It is a bit of all of these things, and more.Kevin Smith is nothing if not daring. After two artistically unsatisfying films back to back ("Cop Out" and "Zack and Miri Make A Porno") he decided to try something that's never been done before. The end result is this (the story of how he managed to get this unsellable film to the public is a fascinating adventure you're better off reading about somewhere else.)Three horny teens looking for a good time. A sheriff with a secret. An ATF special agent who lets his better judgement be overtaken by orders from the head office and his own personal reasons. And a cult of LGBT hating lunatics who have few believers but a lotta guns all come together one fateful day in a way that will change (or end) their lives forever.A lot of people like to add "horror" to the list of things this movie is, and others argue there's no "horror" in this at all. Let me tell you: as we are forced, as one of the main teen characters is, to listen in on crazy Pastor Cooper (played by Michael Parks, formerly the best kept secret in Hollywood) sermonizing about how gays aren't human and how "we" must destroy them all, while rationalizing and twisting his Biblical doctrine to suit his own misplaced mentality, is far scarier than some boogeyman jumping out of a shadow yelling "Boo." As for action...let's just say this has what "Cop Out" didn't. There's laughs. There's thrills. And there's stuff to make you think.In the end, don't worry about what genre this belongs to. Just give it a try.
Andrew S (au) wrote: Gordon Gekko, fresh from prison, re-emerges into a much harsher financial world than the one he left. He now has to play catch-up and redefine himself in a different era. He has to become relevant again. But a young, idealistic investment banker learns the hard way that Gekko is still a major manipulator and if there's one place where you can redefine yourself, one place where your relevance is a deal away, it's Wall Street.Enjoyable sequel to Wall Street.
Andr D (gb) wrote: Basada en el libro "Seven Deadly Sins: My Pursuit of Lance Armstrong" del periodista David Walsh, "The Program", la ltima pelcula del excelente director ingls Stephen Frears ("High Fidelity", "The Queen", "Philomena"), es un interesante retrato del infame ciclista ex-campen de ciclismo Lance Armstrong: un hroe vencedor del cncer que esconda una oscura ambicin y personalidad de "bully" que lo llev a recurrir al dopaje para obtener sus victorias. Ben Foster logra una magnfica encarnacin de este hombre, prefiriendo la complejidad producto de su humanidad, ms que convertirlo en un villano. "The Program" es un triste relato sobre la contaminacin del deporte, que hace mucho ha dejado de ser la evidencia de la grandeza humana, para convertirse en la evidencia del capitalismo descarnado: no importan los medios, lo importante es ganar ms y mantener las apariencias.