In a lost butcher shop at the interior of Brazil, a stranger engages the services of a hit-man. What seems to be an ordered crime becomes a dangerous meeting between the characters and their pasts. . You can read more in Google, Youtube, Wiki
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Cru torrent reviews
Marianne S (nl) wrote: I watched it because I was thrilled to see David Tennant and Dylan Moran's credits on the same film. It's a really typical sloppy rom-com, copied and pasted into Hegg. Unoriginal, but redeemed by good acting.
The Bad G (ca) wrote: The testimonies in the documentary and some of the propaganda footage are worthwhile for anyone interested in the subject. The doc will also shock many who are less familiar with these stories and the human rights violations taking place in North Korea. But I will never understand why human rights groups and filmmakers can't let the story speak for itself. Is the epic dysfunction and misery in North Korea not captivating enough? Do we really need interpretative dance to emphasize why three generation policies are horrifying? These types of techniques feel emotionally manipulative and unnecessary.
LuKhon M (us) wrote: Fitting that HBO showed this on Memorial Day weekend. A touching movie honoring the final journey of the soldier home and all the people it touched.
Alice M (es) wrote: Too much like the tv series....with a creature and people trying to kill it...but it is no where near as good as the tv series as the actors in it are also much cuter
Pavan R (jp) wrote: An interested story of varying opinions. Peter O'Toole is spectacular in the role, can't believe he's still acting and so well. Jodie Whittaker does a pretty good job herself and does well to capture her space in a room which can be crowded by the enormity of O'Toole. A very good watch, best seen with a humorous hat on.
Bryon B (au) wrote: d00ds, member when they cut the heads off all those chickens? that was wicked awesome to the max.
Scott S (es) wrote: Winged Migration (2003) -- [7.0] -- How they shot "Winged Migration" is almost more fascinating than the subject matter. The filmmakers rigged camera equipment to ultralight planes and imprinted with hatching birds of various species to get as close to their subjects as possible. The resulting cinematography is breathtaking, especially if you love birds. The film focuses solely on the migratory patterns of birds all around the world, so the shots of birds flying -- while mesmerizing for a while -- can get old. The film also shows a few points of danger in the birds' everyday lives, including several birds shot out of the sky by hunters, one who gets stuck in factory sludge, and one with a broken wing who gets devoured by crabs. As a bird lover who doesn't want to see these things, I was at least thrilled with the part where a captured blue parrot is wise enough to escape a poacher's cage. The filmmakers don't linger too long on any of the tragedies, thankfully. Overall, more of a technical marvel than a revealing educational piece -- but gorgeous to look at.
Cameron J (br) wrote: He's gotten his share of the "Miami Blues", and now George Armitage is taking on Grosse Pointe, and he's bringing more action than ever... or at least I think that's what he's doing, because, like everyone else, I didn't see "Miami Blues". Still, I've heard of finding a woman you're willing to kill for, but let me tell you right know, I... was not expecting that to be Minnie Driver. Now, she's not especially attractive, but she scored both John Cusack and Matt Damon in 1997, although it's not as though people remember this particular affair, with Cusack. The film got surprisingly decent reviews, but I don't think that this film would be all that notable if it didn't have a soundtrack produced by Joe Strummer, as that little fact kind of made someone think about how Strummer looked a little like Cusack. That's a stretch of an assumption, but you know that the filmmakers were thinking that when they commissioned Strummer to do this film's music, because it wasn't clever enough that they titled this film about an assassin visiting Gross Pointe, Michigan, "Grossed Pointe Blank". Oh no, they just had to actually name the assassin in question Martin [u]Blank[/u], just to make the title even more punny. Don't worry, people, because the film itself is a whole lot funnier than that, although it doesn't exactly offer a whole lot beyond that. Yeah, this isn't much more than a mere comedy, and not even that much of a dark one, despite its potentially edgy subject matter, which is ultimately molded into an inconsequential affair that isn't even anything new. Well, maybe there are a few refreshing occasions, though not as many as you might hope, for this is ultimately a formulaic action-comedy which hits more than a few tropes in its progression and in its humor. The formulaic spots in the comedy reflect there being some shortage of inspiration to the humor, which is further reflected by shortcomings in wit, because even though there is plenty of good humor, - much of which is actually clever - just as Robert Ebert said, there stands to be more cleverness and more surprises here. The wit of the film is a little uneven, not unlike the focus of the narrative, which finds itself biting off a touch more than it can chew, in that it runs into plenty of filler which takes you out of the progression of the final product. A sense of progression is further hindered by other excesses in the film, which falls shy of 110 minutes in length, and is forced to get there through some repetitions and do-nothing happenings, as it doesn't have the meat to justify such a length. It is ultimately natural shortcomings that hold this film back, as this comedy chooses to go with the basics, rather than explore its full potential for uniqueness, wit and tension. The final product might very well be forgettable, but while it occupies your time, it holds your attention through all of its shortcomings, even with some sharp musical tastes. Produced by, as put so eloquently by Jakob Dylan, "the mighty" Joe Strummer, this film's strictly unoriginal soundtrack is either underused or overused, but when it is used, it utilizes plenty of entertaining, mostly independent '80s rock tunes to compliment the theme of reminiscing on the '80s, and to help greatly in livening things up. For that, some credit is due to director George Armitage's usage of the soundtrack, although Armitage does not need the music to keep things lively, as his scene structuring and working with humor and performers establishes an immense deal of good, fun charm, punctuated by some thrilling action. I'm a little surprised by how little action there is here, but it sure is worth waiting for, delivering on sharp technical proficiency and tight, dynamic staging which both adds some tension into this inconsequential fluff piece, and marks heights in entertainment value. Of course, as I said, entertainment value is consistent, thanks to Armitage's lively plays on most everything, which keep up a tight sense of pacing that is perhaps needed throughout a questionable course of almost 110 minutes, spawning from an excessive script by ironically does about as much as Armitage's direction. Penned by an arguably overblown team consisting of Tom Jankiewicz, D. V. DeVincentis, Steve Pink, and John Cusack himself, this film's screenplay is nothing if not both overblown, and colorful, being uneven in its wit and originality, but recurrent in its deliverance on sharp little dialogue twists and arguably memorable and decidedly lively set pieces which define much of the entertainment value. Amidst all of the fun is a reasonably interesting, if thin story and well-drawn characters, brought to life by across-the-board charismatic performances, the most engaging of which being by leading man John Cusack, who plays himself, sure, but therefore nails a somewhat grounded, yet still unpredictably colorful charm which makes him a worthy lead. The film is ultimately plenty of fun, and although it's not much more than that, even though it could have been, thrills and charm are realized enough in their unison to a produce a decent, if inconsequential comedy. When the job is done, there's not much new or especially clever about this uneven and overlong telling of a conceptually promising, yet ultimately inconsequential story whose color is done enough justice by a solid soundtrack and action, generally sharp direction and writing, and charismatic performances - especially by John Cusack - to make "Grosse Pointe Blank" a relatively simple, but fun comedy-thriller. 2.5/5 - Fair
Andy B (us) wrote: better than the second one. this series is just a good addition for those who enjoy mysterious hero movies. the dark man series was originally going to be The Shadow movies based from the old radio show, but they could not get the rights
Marcus W (au) wrote: The film gravitates around the performances of Day-Lewis and Fricker, subsequently, it's mesmerising.
Orlok W (nl) wrote: Hodiak, Conte and a host of Great Supporting Players in a Class-A Film Noir--Classy Nocturne!!