Guns, Girls and Gambling

Guns, Girls and Gambling

This story throws Elvis impersonators, Native Americans, a cowboy, a drop dead beautiful blond assassin, a frat boy, two corrupt sheriffs, the girl next door and a prostitute into a chase ...

This story throws Elvis impersonators, Native Americans, a cowboy, a drop dead beautiful blond assassin, a frat boy, two corrupt sheriffs, the girl next door and a prostitute into a chase ... . You can read more in Google, Youtube, Wiki

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Guns, Girls and Gambling torrent reviews

Robert L (es) wrote: Watched this for the second time with Joe at BIFF. First time was for the BIFF selection committee... where I gave it a strong recommendation... and was thrilled to see it accepted to the festival.

kristen m (br) wrote: uummm.......idk rite now..lol

latif k (de) wrote: hellojessica are you change your EMAIL? IM SO FINE

Erica S (us) wrote: Wow this was the WORST movie ever lol! The acting was atrocious... Especially that deputy. I love ghost movies but this one was just laughable.I wish I could rate it MINUS 10 lol.

Blake P (de) wrote: Film noir homages never seem to play with the idea of making a good movie - so bent are they on their textures and tones that they forget about memorability and hide behind Fritz Lang inspired delicacies. Directors can play dress up all they want; but at the end of the day, it is the snappy originality of "Double Indemnity" or "The Big Heat" that makes them classics, not the way they look and feel. They have to work as an experience. Audiences tire of gloss on an empty stomach. So 2006's "Brick," a recent neo-noir cult classic, is a breath of freshly cigarette soaked air, acting as a high school movie where angst is replaced by a whodunit, where shallow conversations become heavily witty battles of words, where gumshoes of the Philip Marlowe merit are characterized not as cynical, alcohol infused cynics but as spry, shaggy haired loners. It takes the tackiness of an homage and turns the stale into the crisp - it emits ingenuity, tickling our noir familiar senses until breathing becomes a difficulty. It is, for the most part, a descendant of "Murder, My Sweet" disguised as a high school movie, delightful until it isn't anymore. The film follows leading character Brendan Frye's (Joseph Gordon-Levitt) investigation of the mysterious death of his ex-girlfriend (Emilie De Ravin), who, only moments before her murder, called him in a rambling, disconcerting panic. As "Brick" is a film with more in common with "The Big Sleep" than "Clueless," an assortment of colorful characters may or may not be involved, ranging from modern-day, teenage femme fatales (Meagan Good, Nora Zehetner) to eccentrics with a taste for young age crime (Lukas Haas, Noah Fleiss). Like all character based, labyrinthine film noir, "Brick" is not as concerned with murder as it is with dialogue - it retains interest not from the center mystery itself but through the way its characters interact, trading barbs like Humphrey Bogart and Lauren Bacall like it's their day job. Toward the last act, the film loses itself in its insistence to maintain authentic noir style, and we wish it would stop beating around the bush - one would rather simply solve a murder than skirt around and around exchanges for centuries - but, for most of its length, I found myself enchanted, in part to the mesmerizing performances of its cast and the dedicated direction of Rian Johnson, who made his filmmaking debut here. Levitt makes for an agreeably quirky protagonist, his tension ridden acting style well-suited for this sort of material - and the women of the film, most notably Good and Zehetner, give "Brick" its backbone, spinning a web of sexy deception as equally penetrative as Claire Trevor ever could. Johnson doesn't so much depend on the stylistic cues the Wilders and the Siodmaks built all those years ago as he does match them in tone. He captures the spirit of noir without copying it - the convergence of the high school movie and the 1940s crime film works surprisingly well. I suppose I'm not as head over heels in love with "Brick" as many of the members of its devoted cult following are - I find its flourishes to eventually grow tiresome - but it is undeniably unique, so much so that I'm sure there won't be an indie movie so completely its own to be released for at least another five years. Few risky filmmaking exercises work; thankfully, "Brick" does.

Kaitlyn M (us) wrote: Brother Bear is an exceptional children's movie about the importance of Native American's connection with nature and the Great Spirit. The bond of brotherhood leads the main character to make rash decisions once his brother Sitca, dies from a bear attack. He is angry and disappointed in himself and the loss of his brother. He turns his back upon the Great Spirit and hunts the bear down. After this turn of events, Kenai angers the Great Spirits and they teach him a lesson about respecting the balance between Man and Nature. He ends up on a great journey as a Bear, trying to find the great spirits and satisfy their decisions for him. This children's animation has a lot of historical and true connections to the Native American tribes of north America. On his journey the encounters he has with nature teaches him to respect the spirits and nature itself.

Narges M (us) wrote: Very good performance by Al Pacino.

Jake B (fr) wrote: Strangely, a wonderful horror film. A death romp with a larger story behind it that works. Fun characters that have their own personalities, some of which you're excited to see die. All in all, a good film, and a perfect massacre.

alexandria h (de) wrote: love it. this is also funny!

Liliane S (kr) wrote: Omg, I had no idea Brittany Murphy was acting in this movie. Cute teen comedy.

Stuart K (jp) wrote: Directed by Martin Campbell (GoldenEye (1995), The Mask of Zorro (1998) and Casino Royale (2006)), this is a very entertaining sci-fi action film, based on The Penal Colony by Richard Herley, it's a product of it's time and proud of it. Plus, Campbell got together a very good cast for the film, and it uses old school special effects and although it drags a little bit, this is a film which still manages to be compelling for most of the time. It's 2022, and prison colonies are owned by huge corporations. Former Marine John Robbins (Ray Liotta) murdered his commanding officer a decade prior after killing innocent civilians, and after escaping from 2 high security prisons, is confined to an extreme prison, whose warden (Michael Lerner) has Robbins sent to the island of Absolom, where prisoners have become feral tribes. As soon as Robbins lands, he's captured by The Outsiders, led by Marek (Stuart Wilson), but Robbins escapes and meets another group, The Insiders, led by The Father (Lance Henriksen), who has been planning to overthrow Marek, (they're fierce rivals) and find a way off Absolom, which is exactly what Robbins wants as well. It manages to do quite a lot with so little, with cameos from UK TV actors such as Don Henderson and Ian McNeice, it's not all perfect, but it makes the most of it's locations in Queensland, Australia. Plus, this film got Campbell the job of doing GoldenEye (1995), good on him.

Marco F (gb) wrote: Dated '80s film with good music and one of the first starring roles for Marisa Tomei. It's only worth watching for her first starring role in films, although she only showed off a miniscule of her amazing talents in this film that she would later showcase in MY COUSIN VINNY and her subsequent work after that. In fact, she was the only actor under the age of 25 in this film who has a career as an actor. The film's heart is in the right place- but it's a bad, ineffective movie- poorly written, not well acted and not well thought-out.

Jon A (gb) wrote: Very lightweight martial arts comedy that's lacking in both but far from being a complete failure.

Carlos M (de) wrote: Amusing enough, with a great cinematography and memorable set pieces, this is a passable film even with those irritating flaws that have become now the worst types of clichs, like a forced romance and how no one believes the main character and thinks he is crazy for no reason.

Conrad T (es) wrote: Funny scenes too artificial in the movie.The outback landscape in this continent picked in the movie is good but not as gorgeous as those in the movie Dances with Wolves in my opinion.

Trev B (it) wrote: Loved this, some class martial arts action.