During the last months of the Civil War, Joe's brother is killed unjustly by Clifford, a captain in the Northen army. Joe decides to join a group of Southerners determined to resist till the end. Joe is considered an outlaw and a reward is posted for his capture. When the war ends, Joe returns to the farm where he used to work only to find Christine, the owner's daughter and his sweetheart, engaged to the hated Captain Clifford. Source: SWDB www.spaghetti-western.net . You can read more in Google, Youtube, Wiki
I giorni della violenza
During the last months of the Civil War, Joe's brother is unjustly killed by Clifford, a captain in the Northen army. Joe decides to join a group of Southerners determined to resist till the end.
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I giorni della violenza torrent reviews
Antti K (ag) wrote: A good story, very good noirish atmosphere and a small cast - this is pretty much everything you need to make a good low key crime thriller and John Dahl one of the best players in the genre. Kilmer and the wife are good, Michael Madsen was obviously already himself/typecast in the 1980's. Well done.
Areeque T (br) wrote: A love story, at the end of the day. A good one.
Issac L (br) wrote: Dogme movement (1995-2005) is a terra incognita for me, although now it has officially existed only as a terminology thanks to the ubiquitous evasion of shooting on location with any cellphones or other handheld lighter gizmos, and its spirit has been ingested by more advanced mutants (e.g. mumblecore). But Susanne Bier is not merely a Dogme enthusiast, AFTER THE WEDDING (2006 7/10) is a redoubtable relationship dissection and OPEN HEARTS (the new Hannibal Mads Mikkelsen star in both films) treads the same territory to examine the complexity of humans' conundrum between desire and responsibility, ethics and emotions. Two couples, one is engaged, another has 3 children, a car accident (not entirely abides by the Dogme rules though) turns their worlds upside down, a threat is common-or-garden both in the cinematic and real world; the life-changing mishap prompts an adultery between a middle class doctor and the disheartened fiance, whose fianc undergoes a permanent quadriplegia from the car accident where the doctor's wife is the offender. The face-fixated close-ups extensively put those characters under scrutiny for their rational and irrational behaviors, natural light commingles with saturated palette (during the beginning and the ending) and a black & white lens of the blurry and grainy illusory fancy. The cast is sterling, a quartet of tug-of-war from Mikkelsen, Richter, Lie Kass and Steen, a humdrum-weary family man holds his seven-year-itch infatuation to a damsel-in-distress; a comfort-seeker with abiding guilt of abandoning her bed-ridden fianc; a young paralyzer who ruthlessly deserts his fiance for his incompetence as a proper man but still hankers for her company; a wife is rueful of her road rage and its tragic repercussions, suddenly devastated by her husband's utter betrayal; Steen's impromptu slapping and Mikkelsen's reaction are among the best on-screen intensified scenes I have even seen, three of the four leads end up in my yearly top 10 list (guess who narrowly missed the spot?). But on the other hand, the melodramatic core of the story hobbles a soul-searching catharsis and empathetic introspection which would put the film onto an upper notch, Bier and DP Morten Sborg's camera is erratic but not dizzily shaky, the fly-on-the-wall intimacy allows us to take a much closer look at the symptoms and the cause of the frailty resides in every soul on earth, and offers us staying in a paralleled world, munches with palliative pills to ease our own troubles.
Berneta H (jp) wrote: I could go on and on, but I'll just say that this is one of my favorite films.
Ben F (ca) wrote: Let me just start out this review, by saying that Ridley Scott is one of my favorite directors. The way he operates with his films is simply brilliant. In his movies, he tries to capture the audience, and throw us into the movie, without corrupting the non-cliche aspects of his work. His movies aren't corny, and there not stupid. It's all about the filming with him, and I love it. "Black Hawk Down" is no different. In an age of ridiculous action war movies, Scott brings us back with a knockout of a film, which generates both sorrow and beauty. The sorrow coming from the tragic loss of soldiers, and the beauty coming from the amazing cinematography, film editing, and screenplay that his been set up for us. "Black Hawk Down" is an amazing movie. "Black Hawk Down" follows the actual events that occured in Somolia in 1993. Bill Clinton sent in troops to take out a warlord in restore peace in the country, but things got very complicated. The portrayal of this event is done perfectly in this film. For me, this film came down to two things. Acting, and cinematography. These two aspects made this movie what it is. Acting wise, everyone does a great job in this movie. The group of actors we are presented with are mostly not American, so we see a lot of people hiding there accents with southern accents, and that's okay. Orlando Bloom, Ewan Mcgregor, Eric Bana, and Jason Isaacs all attempt to hide there actual voices in this movie, and I thought that was very interesting to see. Besides Orlando Bloom, these actors all did a great job in the movie, and presented their lines well, and approached this movie with maturity and passion. Now your wondering why I said "except Orlando Bloom". Well heres why: Bloom was in literally all together 20 minutes of the film. He's only on screen a couple of times, and the monologues he gives are boring and unimportant. He was the only negative aspect about this film, but he is so miniscule in his importance, that he didn't take away any overall quality. I just thought I'd mention it. What I didn't mention though, was the performances of American actors. I'm specifically talking about Josh Hartnett, and Tom Sizemore. Hartnett did a great job in this movie. Usually, I think he's a little ridiculous, and most of the time I think he's just eye candy for women when he's on screen. He definitely proved me wrong in this movie. The perfomanes he gives is full of emotion, and he really impressed me. The monologue that he gives at the end of the film is simply brilliant, but I won't give anything away. Nobody really recognizes the performances that Tom Sizemore gives in a film. I think that he always does a great job, and he really cares about his work. In this movie, he gave an awesome performance, and did exactly what he needed to do. It was awesome. Another thing that I mentioned was really important in this movie was the cinematography. It's amazing. The shots we are presented with are all handled with great care, and there are no errors to be found. The specific lighting and contrast textures that we see are all awesome, and I love films that are made like this. It makes the film excellent, and it's really well done. But "Black Hawk Down" is more than just a movie. It's a message. Don't leave anyone behind, and help the people around you. The story that Ridley Scott told, and what we see on the screen, is literally fantastic. "Black Hawk Down" is a movie to definitely be remembered for a long time.
Jonn E (fr) wrote: Weak, cliche and serious overkill with the 70's soul soundtrack. Aims to pull at the heartstrings and couldn't be anymore obvious and clumsier in doing it. Not funny, not dramatic and extremely unoriginal to the eyes and ears.
TTT C (ag) wrote: (***): Thumbs Up Well-acted.
Dave C (jp) wrote: Just seen it again,very good !