I Vitelloni

I Vitelloni

Five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the local pool hall. Federico Fellini’s second solo directorial effort (originally released in the U.S. as The Young and the Passionate) is a semiautobiographical masterpiece of sharply drawn character sketches: Skirt chaser Fausto, forced to marry a girl he has impregnated; Alberto, the perpetual child; Leopoldo, a writer thirsting for fame; and Moraldo, the only member of the group troubled by a moral conscience. An international success and recipient of an Academy Award® nomination for Best Original Screenplay, I vitelloni compassionately details a year in the life of a group of small-town layabouts struggling to find meaning in their lives.

  • Rating:
    4.00 out of 5
  • Length:104 minutes
  • Release:1953
  • Language:Italian
  • Reference:Imdb
  • Keywords:dance,   dancer,   vaudeville,  

A character study of five young men at crucial turning points in their lives in a small town in Italy. . You can read more in Google, Youtube, Wiki


I Vitelloni torrent reviews

Andrea P (nl) wrote: Not only is Jason Momoa a fantastic actor but now I see that he's an incredible director. This has quickly become my favorite movie.

Regan C (it) wrote: There's no reason to know this unknown Daniel Craig drama, so off you go, then.

Jason B (ru) wrote: Subtle, understated... takes you to another world. Great movie.

Lee S (nl) wrote: Tragic and inspiring to see the depths to which people are put and then the levels to which they are able to rise

Ashish G (jp) wrote: Scenes don`t make any sense

Peliha I (fr) wrote: For the story, he will get a -1, for the animation, he will get 0, for the audio, he will get a -10 and for the characters, he will get a -5. His total score is -8 with of course the big barrel of nuclear waste. Fuck!

Chris C (br) wrote: A cheesy old 80's film I remembered from my childhood. Not very good, but the dummy was creepy at times.

Taylor R (jp) wrote: I could watch this over and over.

Francisco F (fr) wrote: Rattlesnakes are gonna get you, your kids, and your pets.

Matt H (it) wrote: I read the book as well for a college history class and it's not all bad.

Adam B (fr) wrote: William Friedkin's comedy is not so much a Chevy Chase vehicle as a armed missile launcher dud fizzling out before it reaches its target.

Grady H (us) wrote: It's a serviceable zombie movie, and nothing more.

Kevin B (mx) wrote: modest and toned down drama with good performances butt a story that is hard to be believed at least in the way it was told.

Jack G (ag) wrote: It has a douchebag main character that is not portrayed well (played by Tom Cruise). And it has a plot that is uninteresting coupled together with not much interesting stuff happening most of the time and bad writing that showcase Tom Cruise's massive ego.

Stuart K (es) wrote: Directed by Susanne Bier (Open Hearts (2002) and Brothers (2004)), produced by Sam Mendes and written by Allan Loeb (21 (2008) and Wall Street: Money Never Sleeps (2010)), this is a moving and heavy going drama which owes a lot to Crash (2005). It has two powerful lead performances, but it does drag a bit in the middle and it could have done with being tighter. Audrey Burke (Halle Berry) was happily married to Brian (David Duchovny) for 11 years, and they had two children Harper (Alexis Llewellyn) and Dory (Micah Berry). However, Audrey gets tragic news from the police that Brian was killed trying to break up a fight, she's left distraught and grieving, unsure where to go with her life next. But she finds unexpected solace in heroin addict Jerry Sunborne (Benicio del Toro) who had been friends with Brian since childhood. Jerry moves in with Audrey and the kids, living in the garage, but he's finding it hard to stay off drugs. It's a sad and moving film, brilliantly filmed by Clint Eastwood's usual DP Tom Stern. It's got brilliant performances by Berry and del Toro, but Bier's decision to shoot it like a Dogme 95 film is a bit jarring, but it's got good intentions.