Jerry Maguire

Jerry Maguire

Jerry Maguire used to be a typical sports agent: willing to do just about anything he could to get the biggest possible contracts for his clients, plus a nice commission for himself. Then, one day, he suddenly has second thoughts about what he's really doing. When he voices these doubts, he ends up losing his job and all of his clients, save Rod Tidwell, an egomaniacal football player.

When a tenacious but hanging-by-a-thread sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent with the only athlete who stays with him. . You can read more in Google, Youtube, Wiki


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Jerry Maguire torrent reviews

Ralph C (br) wrote: It was an alright addition with some laughs but they really need to stop making these lame sequels and focus on a reunion movie with the original cast.

Steve S (kr) wrote: ** (out of four) A series of volcanoes begin errupting around the world. This low-budget disaster movie is pretty routine and the effects only make it sillier.

Joy E (au) wrote: That was... confusing, disturbing, twisted, forced, but also boring at times...

Gav R (kr) wrote: brilliantly staged and paced

Eigil R (de) wrote: Saw it in New Mexico in 1990. An amazing experience, since the US was much further away from Norway then than now. No Internet or cheap phone rates. I made all my high school friends go and see it with me. Wasn't THAT well received. But I liked it!

Phil H (gb) wrote: So I guess many of you have heard of the Tarantino/Rodriguez action horror flick 'From Dusk Till Dawn'? Sure you have, well let me introduce you to the movie that I'm pretty sure inspired that whole franchise...inspired copied...however you wanna look at it. So sit back and allow me to introduce how this trashy 80's vampire thriller is easily one of the best horror comedies made, up alongside greats such as 'An American Werewolf in London'.This story idea now seems pretty dated with the whole idea of having two plot lines. Starting out in one direction and then having a fork in the road (so to speak) that leads down another direction. Admittedly this movie isn't entirely like that as we know its gonna be about vampires, but the general genre here is an old frat house type affair which spirals into a gruesome undead horror flick. Its also interesting to note that the classic Arnie vehicle 'Predator' came out a year after this movie and as we all know that film has a famous familiar two plot line affair. So its entirely possible that this horror kick started the double plot line concept.The story is, as I said already, exactly the same as the Tarantino/Rodriguez flick there abouts. A duo of college students are wanting to get into their kickass campus fraternity, for this they want a kickass stripper so its off to the seedy side of town to hire one. Of course the lads are out of their depth and soon begin to notice odd things about the stripper club. One thing leads to another as the more reserved of the duo (Makepeace) ends up having to team up with an old flame who works at the club (somehow unaware of its secret) to battle the neck biting horde and try to survive until dawn.So lets look at the cast, its a little known group by today's standards but back in the day both leads, Rusler and Makepeace, were almost household names. Now I say household names but I mean with teenagers of the time, Rusler was already an 80's cult trash star with 'Weird Science' and 'A Nightmare on Elm Street 2'. Here he plays the cool stylish cocky Fonzie-esque ladies man who basically gets the group in the situation they find themselves through his arrogance. The visage of this guy is the epitome of young brash 80's males in the movies with the curly coiffed mullet hairdo and the obsession with his odd choice of mixed attire (a young Robert Downey Jr. if you will). At the same time Makepeace is also the typical poster boy of the 80's with his college jacket, chequred shirt, curly hair, blue jeans and white sneakers (a young Mel Gibson if you will). The duo are easily the pure personification of the 80's which obviously isn't much of a surprise but looking back its so damn cool.Alongside the main duo is the rich perverted single and spoilt Duncan played by Gedde Watanabe, the comic relief. Although this character is truly cliched to the hilt with his prepubescent lusting he is undeniably amusing at times. In fact his character is so lovable with his bug eyes at anything in a thong and typical college dialog that you're sad to see him go. Can't not mention the uber cult star Billy Drago now can I, here he plays a gang leader with snow white hair hence his name is...wait for it...Snow. Drago doesn't have a huge part, in fact its a bit of a nondescript part really as it wouldn't make any difference if his character was taken out. But Drago emits such an air of utter coolness that I can fully understand why Wenk would cast him even for a bit part.'I'm in the mood for love...simply because they're naked'The shock casting (even for the time) was Grace Jones as the head (ancient Egyptian) vampiress. Although she had starred in a couple big movies prior to this film she was still seen as more of a model/dancer/singer rather than an out and out actress. I do think Wenk cast her as more of an attraction for the audience, a quirky hook or lure to get more bums on seats. Despite that she does do a really good job even though she hardly says a thing, her role is virtually mute accept for grunts, scowls, stares and howling laughter...right up Jones alley then. But in the looks department Jones appears every bit the sultry sexy lethal vampire with that strange red wig of hair and bizarre body jewelry that gives off a very sensual vibe which is kinda hard to explain why its just is.I simply can't not talk about the musical score in this movie. Wow! does this score really add another level to the film, it really lifts everything. For starters Grace Jones uses a track of her own for the stripper sequence where she is covered in white body paint. This sequence is an iconic moment in the movie not only for Jones extraordinary performance which is both highly erotic and mesmerizing, but the musical score which plays at the same time is truly unique and also hypnotically beautiful. Back in the day I remember this movie being a bit of video nasty or simply a naughty adult movie merely down to the fact there is plenty of stripper ass on show. The girls walk around in bondage gear and thongs bearing all which is...I guess realistic, obviously sexy and yet it also adds to the general unease in the atmosphere (kinda). Of course the other iconic moment (yes there is actually two) is when Grace Jones seduces and attacks Rusler in her dingy room which had all us kids wetting our pants with excitement, fear and simple intrigue (those that were lucky enough to see the movie behind our parents back). I think this scene is easily one of the most erotic sequences in modern cinema, even when Jones vampiress finally drains Rusler out its still very erotic.The scene also displayed some of the well created hands-on makeup effects and prosthetics. By today's standards of course its nothing special as we've all seen this type of thing a billion times before now. But back in the day it was quite terrifying to see Grace Jones change from this sexy metal spiral bra clad stripper to a hideous bald monster with these huge fangs and teeth (not to mention her long ugly finger and toe nails). The other female vamps are all made up in similar fashion and they are all quite horrific looking with their glaring contact lenses and mutated faces. So yes despite the fact all the vampires are clad in tight thongs with firm bodies you don't really want one transforming and sucking on your throat...or maybe you do, I had to think hard.Wenk and his crew really do a great job in making the stripper club look incredibly grimy, dark, dirty and utterly unwholesome overall (seedy is the best word but I can't keep using it). What is really impressive is a lot of this is purely down to the excellent use of lighting. You can see the set wasn't huge and neither was the budget but they manage to make the club look bigger and better than it clearly was, strategic shadows everywhere. At the same time the world outside the club is also brilliantly realised again through the use of obscure lighting (mainly using greens and pinks), and the cliched stereotypical visuals you'd expect like dark alleys, trashcans everywhere, rundown stores, rubbish blowing around, graffiti, bums hanging around etc...I know the lighting colour palette sounds really peculiar but it does work wonders giving this dead end part of town a really sinister ambience. Add to this some wonderful camera work with low angles, Dutch angles, off kilter angles etc...every trick in the book to give this little world a freakish unearthly appearance.Admittedly the finale does get a bit overblown if you can even say that. The movie does slightly turn from a comedy horror into more of a comedy action horror as Makepeace and Pfeiffer (Michelle's unknown sister) run around shooting vamps with arrows. But again I can't deny the final moment for Jones vampiress is a classic moment of good old fashioned traditional practical effects. The movie offers everything an 80's horror fan could ever want, its jam packed with all the conventional tricks of the trade and visual moments that we have all come to expect from the vampire genre. The blend of utter cheesiness, adult humour, gallows humour, blood, gore and lots of tits n ass all combine to give you a rip-roaring adventure through the underbelly of this vampire world. People say that 'Fright Night' 'An American Werewolf' and 'The Lost Boys' are the best 80's horror flicks...and they are very good yes, but for me Richard Wenk's sordid sleazy tawdry vampire thriller is by far the best 80's trashfest to come along.

Alexander C (jp) wrote: Standard film, mediocre, nothing further, worth one watch or two.

Juan E (kr) wrote: What a gigantic piece of sh*t.

Garrett S (ru) wrote: House of the Long Shadows. A movie that has it's strengths and it's weaknesses. Strength: The Cast. The "Masters of Horror" Vincent Price, Christopher Lee, Peter Cushing, and John Carradine. Vincent Price gives it his dramtic best as usual. Christopher lee is great as the unasuming bad guy. Peter Cushing has a rememberal proformance as sympithetic character with a lisp. Weakness: We don't see enough of Carradine. He may have been old, but this is the kind of movie where I thought he would shine. Stength: The polt twists keep coming. Some may be easy to tell, but some, especially the last are amazing. Stength: The blend of diffrent genres. Especially the unexpected slasher genre incorperating itself in the story was good. Weakness: Desi Arnaz Jr. In my opinion, the makers of the film were trying to promote him as some big star, big mistake. Acting may have worked for his parents, but not for him. Maybe because he was pitted against some of the screens most legendary actors. But if I was envolved in this movie, I would have noticed that in the very beginning, and gotten someone who could hold their own and stand out. Not just a name. Strength; The filming of shadows. The films name being House of the Long Shadows, they would of course have to feature shots of shadows. These particular shots are very eiree and atmospherical, and add to the feeling of the movie overall. Weakness: The Ending. I should say the ending after the final twist. It is very confusing, and really doesnt make a whole lot of sense (the girl is what I am referring to; dont won't to give anything away.) Weakness: The Score. In my opinion, the score could have been a little more dramatic, or pay homage to the scores of old horror movies. That would have added a lot to the film, a prehaps made it a little more memorable. It mor or less sounds like they were trying to give the score an old horror movie treatment, but give it an Eighties spin. All in all, I would definatley recomend it any horror movie fan (especially on a rainy night. Watching it during the day, it is hard to see due to the darkness of the movie). But for someone who could care less who Vincent Price, Christopher Lee, Peter Cushing, or John Carradine are, then they should pass. A little trivia: Elsa Lanchester was supposed to play Victoria Grisbane, but ws to ill to make the film. I wonder if she had been cast, would they have called her a master of horror (being the bride of Frankenstein and all).

Logan O (it) wrote: The funniest Dan Aykroyd flick you've never heard of.

Christopher B (jp) wrote: Wow. Several potential *evil heavies* turned down the role of Roat - who would want to be remembered for trying to terrorize the adorable Audrey Hepburn? An exceptional film for which Hepburn had an Oscar nomination. Watch with the lights on.

John R (es) wrote: 150401: Thanks to a nephew for giving me this film. I lay in fear throughout, on a day that just wouldn't end. But, it ended well. And, I like to think the day will also end well. This movie is likely not as good as the four stars I'm giving it, just timely.

Brendan F (it) wrote: A really good movie with some worthy messages. Never back down not only teaches you to face your problems, but to never hide in fear from something that you'll inevitably have to face.

Jason B (us) wrote: Shame is difficult to explain. It is the story of a couple who moves to a remote island to escape a war which eventually manages to follow them. The way Liv Ullman explains it in an interview may be best (paraphrased) the film is Bergman's attempt to make a film about conflict that will not ignore the consequences. It does not shy away from showing a dead (acting) child, or bodies flowing in the water because that is war. Shame is a very fine film.