Kenny Starfighter is probably the most hopeless student the Hero academics of the galaxy has ever had. But in his desperate attempt in graduating he accidentally crashes on earth and discovers Pontus, an earthling who accidentally stumbled upon an intergalactic crystal which gave him inhuman strength. Now Kenny must save Pontus from Rutger Oversmart who wants the powers from the crystal for himself and Pontus must save Kennys faith from failing school and ending up as a hairdresser.
- Stars:Wasabi Mizuta, Johan Rheborg, Bill Skarsgård, Carla Abrahamsen, Jan Mybrand, Brasse Brännström, Cecilia Frode, Per Svensson, Josephine Bornebusch, Kalle Moraeus, Pernilla August, Rosie Anderberg, Yan Kai Yu, Heyes Jemide, Björn Gustafsson, Sissela Kyle,
- Director:Mats Lindberg, Carl Åstrand,
- Writer:Lars Johansson, Mats Lindberg, Vasa (screenplay), Carl Åstrand (screenplay)
Kenny Starfighter är troligtvis den mest hopplösa elev Galaxhjälteakademien någonsin har haft. Kennys föräldrar har tröttnat på att betala hans studier och ställer ett ultimatum: Ta examen eller bli frisör i familjens salong! . You can read more in Google, Youtube, Wiki
Kenny Begins torrent reviews
(gb) wrote: Watched this again recently whilst in an 80s-cheese kind of mood. Yes it's cringe-worthy, but I still enjoy every silly second of it, from Patti LaBelle's ridiculous singing solo to Dobson and Braco's naff dance-off. I also think the finale - with the two original musicals performed by the students - is pretty good. 'High School Musical' before Disney even thought of it!
(ru) wrote: Better than thought, although screenplay still weak & full of clichs.
(ag) wrote: Whenever I hear that a couple has been married for a long time, say 40 or 50 or even 60 years, my mind tries to consider how such a thing is possible. What keeps people together? How do they manage a marriage that takes up 80% of their lives? How do you settle with another person indefinitely? How do you deal, year after year, with someone who drives you crazy?"Cutie and the Boxer" is a fascinating fly-on-the-wall documentary that chooses one married couple as a means of answering those very questions. Noriko and Ushio Shinohara are a Japanese couple who have been married for 40 years. They aren't quite equals. He's an abstract artist who hasn't exactly made himself a household name. Noriko seems to function, more or less, as a dutiful housewife. She cooks, she cleans and she complains about his expensive trips to show off art that don't yield much money. He throws off her complains with "Hey, it's something."Ushio's art - which he creates by punching a canvas with paint-dipped boxing gloves - is popular but, he admits, nothing that anyone really wants to buy (watching him create the piece is more fun than the actual result). He also sculpts large grotesque and colorful sculptures of motorcycles that look cool in a museum but aren't anything that anyone wants in their home.Noriko exists, more or less, off in the corner of Ushio's life. She tolerates his attempts to supplement a living making art that no one will pay money for. Oh, he makes a little, but we can see that his meager income has forced them into a cramped living space in Brooklyn, with spaces filled by his art and other assorted clutter. She complains about the cost, then later he comes home and slaps money on the table with a "so there" satisfaction.The most wonderful thing about "Cutie and the Boxer" is the way in which it simply leaves us alone to observe Noriko and Ushio. This is a movie completely devoid of talking heads. We learn about them through their experience with each other and some flashback information that shows us how they met that gives us a template of how they got where they are. They met in New York City, in 1969. Noriko was a 19 year old art student; Ushio was 40 and making avant-garde art. It was a good plan but then real life burst in the door. They got married and circumstances forced her to be housewife and supporter of a struggling artist who would spend the next 40 years in a state of professional stalemate.Presently, we see Noriko struggling to recapture her dream, drawing a series of cartoons called "Cutie and Bullie" which depict her life with Noriko through cherubic characters that are half-autobiographical and half-pornographic. Their bond is touching, but we wonder what keeps them going. As the movie opens, they have cake together Ushio woofs it down and gets frosting on his face. Noriko tells him to wipe it off but he ignores her. "I don't listen to you," he tells her. "That is how I stay young."It is that kind of connective resistance that keeps them together. They are contentious, combative, competitive, yet somehow strangely affectionate. There are moments that the camera captures that no screenwriter could invent. Take a moment late in the film when Ushio finishes one of his paintings. He asks Noriko what she thinks. "It's not good", she says. Then the camera lingers on Ushio's face, he's hurt and a little upset, but he never tells his wife. The scene shifts to sometime later and we can still see the pain on his face.Their competitive nature exists all through their marriage. That's especially true at they draw to an upcoming art exhibition in a New York gallery in which they will both be showing off their work. "Art is a demon that drags you along," Ushio says. "It's something you can't stop even if you should." What he doesn't admit is that their respective artistic visions are the glue that binds their marriage together.
(it) wrote: Worst Movie of All Times
(ca) wrote: Some viewers will find Salvation Boulevard's over the top characterizations of delusional religious fanatics to be in poor taste, over viewers will be in for some laughs. Salvation Boulevard is a star packed ensemble "dramedy" based loosely on Larry Beinhart's novel of the same title. Greg Kinnear plays Carl, a former "deadhead" (followers of the band Grateful Dead) who has settled into a nice quite life with his uptight and super religious wife Gwen, played by Jennifer Connelly. Gwen religiously attends the Church of the Third Millennium which is led by the charismatic Pastor Dan Day, played by Pierce Brosnan. Having enraptured the town with his holy message, Day sustains a small empire for himself made out of an adoring congregation that worships him like a prophet. With an ego of the size of Jesus' cross, Day aspires to build a "city upon a hill", a planned and private community, complete with a school and hospital. Not only will this provide a safe and convenient sanctuary for God's worshipers but as the chief developer of this colossal undertaking Day stands to make a healthy sum of money. However, the meeting of renown atheist extraordinaire Dr. Paul Blaylock, played by Ed Harris, puts it all at risk. After a public philosophical debate, Blaylock and Pastor Day retire to Blaylock's office for a friendly nightcap. Carl tags along to the meeting as Day's newly evangelized prize. Here a genial discussion about a joint book venture turns awry when Day accidentally shoots Blaylock in the head with an antique pistol. In a moment of panic, the Pastor disguises the incident as a suicide attempt with Carl in the room as seemingly the only witness to Day's deceit. Carl's life then spirals into disaster as not only do his wife and closest friends not believe his truthful story but there are others trying to kidnap and frame him. Salvation Boulevard's story line has a similar feel to that of the Coen Brother's film The Big Lebowski . Like "the Dude" in The Big Lebowski, Carl plays a very passive protagonist who gets caught up in mortal danger through no fault of his own. He is seemingly moved from precarious situation to the next by all forces other than himself. Carl passivity is contrasted by the outrageous antics of the characters that surround him. Pierce Brosnan with his good looks, deep voice and smooth command of language personifies an excellent slimy and manipulative pastor. As Day's ego and paranoia grow throughout the film so does Brosnan's comedic affect as he literally starts to believe the devil is after him. With such a wealth of idiosyncratic characters Salvation Boulevard was able to attract a large award winning cast, including Marisa Tomei who plays a free spirited security guard. Jennifer Connelly and Jim Gaffigan play Day's fanatical and easily persuaded followers. Some would say these characters are a cruel misrepresentation of the Evangelical community. They may have a point, but taking this comedic movie too personally deprives the viewer from finding all the comical religious Easter eggs in the film. One of which is a building with devilish horns on the roof where Carl is taken to by Day's zealots. The laughs in Salvation Boulevard are not gut busters but are subtlety sprinkled throughout the film. On the down, this film has a less than satisfying ending and seems to end abruptly. The side characters don't get endings that are worthy over their performances. Instead they are given in the form of text. An extra ten minutes might have wrapped the film in a more imprinting manner. Salvation Boulevard is layered with jokes that lie not only in th dialogue and action but also in the art direction and cinematography, giving the film the rare quality of finding something new every time you watch it. Unfortunately, this film will probably go under appreciated as critics have slammed it for its obvious slant against Evangelical Christians. However, I have faith that in time Salvation Boulevard will find its audience, but they probably won't be as devoted as your average "deadhead". 7 out of 10 This Film is not for: -People who don't find mocking religion funny -People who have no interest in religion
(de) wrote: Robin was perfect in her role . and this movie makes you want to go Paparazzi hunting ,
(es) wrote: Truffaut, Truffaut, Truffaut..... slo queda decirte gracias por esta pieza.
(jp) wrote: All CLASSICS are GOOD
(ru) wrote: Solid start, some good & some iffy scenes in the middle, and it was the last 20 minutes that really, really makes you think about what's right & what's wrong, what's moral & what's not. Casey Affleck really steps it up and honestly proves he can handle a powerful leading role. I wonder why Morgan Freeman keeps playing the same character for the past 20 years, but that's just me.
(br) wrote: Entertaning, twisted fun
(ag) wrote: Mildly enjoyably crowd-pleaser that takes no risks. It is Disney, after all.
(ag) wrote: 3 stories in one. 3 different ages, one love.