Melody Time

Melody Time

Melody Time is an animated feature produced by Walt Disney and released to theatres by RKO Radio Pictures. Made up of several sequences set to popular music and folk music, the film is, like Make Mine Music before it, the contemporary version of Fantasia.

An anthology of animated vignettes set to contemporary music. . You can read more in Google, Youtube, Wiki

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Melody Time torrent reviews

Crissean A (it) wrote: The movie sort of settles on to you. It's quaint and feels oddly familiar.

Brandon B (nl) wrote: Solid through and through. Skips over traditional genre ploys and keeps you guessing with characters. A lot of good work in here.

Matt H (nl) wrote: Megumi Kagurazaka gives a great performance. Actually, all of the female leads give powerful performances. Crazy movie. Sion Sono continues to impress me as I go through the parts of his filmography I can find. I've said this before, but I really get a big Brian De Palma vibe from Sono's sexual thrillers.

Irina T (es) wrote: What makes it very appealing is again the originality of the story and the poignant theme of death that prevails in the movie. However, the movie fails to get to me as much as the manga because it lacks the emotional depth that I was lookin for. It's honestly a decent adaptation, however there is something lacking A BIT in this movie that prevents me to really cry and feel for the characters. 7/10

Jeff S (kr) wrote: How and why did Denzel Washington, Gary Oldman, and Mila Kunis even sign for this film?

Death H (ag) wrote: Dr. Plonk is a silent black and white comedy along the lines of Buster Keaton or Charlie Chaplin films. The story follows Dr. Plonk and his lazy drunken assistant Paulus, who in 1907 discover the world is going to end in the year 2008 and travel to the future to bring back proof when nobody believes them. For authenticity the film was shot with a hand crank camera using traditional techniques like undercranking for the filming of chase sequences. While the film is entertaining, and features some fine acting (though the dog really steals the show in this department), what the film does most is remind everyone about how great and inimitable the masters like Keaton and Chaplin were. As an example, given a plot that brings a character from the year 1907 into the future to the year 2007, you'd think there would be some clever and unforgettable visual gags they could pull, poking fun at the absurdity of modern life. Instead, Plonk teleports into the future into such humdrum environments like abandoned warehouses and railway yards where the main gag is rather unimaginative Keystone cops type chase sequences. All in all it feels very much like a film school project, with a lot of homage to classic films, and very little genuine creativity.

Esteban G (br) wrote: "If you're the kind of person looking for romance or escapism or some fantasy figure to save the day... guess what? You've got the wrong movie."From the very opening scene co-directors, Shari Springer Berman and Robert Pulcini, present us with a rather unconventional film by blending a feature narrative with documentary style footage. Through voice over narration, Harvey Pekar, introduces his character played by Paul Giamatti as an ordinary man living a complex and depressing life. So while this biopic follows a traditional narrative style, it also interrupts it by showing documentary footage of the real people being portrayed in the film explaining the events that took place. The film also includes animation throughout the narrative from Pekar's underground comics, so from the opening credits the audience is introduced to a very different, but clever biopic. Paul Giamatti gives one of his best performances to date and I was glad to finally see him play a lead role. If you are a fan of his work, than by no means will you want to miss this film because his portrayal of Harvey Pekar is perfectly captured in a very natural way. There is nothing ordinary about the character Paul plays, Harvey has a very depressive and unique view on life, and the way he portrays the normal events of his life are told in a sour but hilarious way. Harvey's story alone is worth knowing, but the way the film combines the different styles in this movie make it stand above other traditional biopics.The film tells the true story of Harvey Pekar (Paul Giamatti), an ordinary man living in Cleveland and working as a filing clerk in a VA hospital. He seems to get through each depressing day thanks to his enthusiasm for music and comic books, which he collects. One day while searching for LPs at a garage sale, he meets Robert Crumb (James Urbaniak). They become friends through their passion for jazz music and comics, and eventually Crumb becomes a famous comic book author. This inspires Harvey to begin writing about his ordinary life, and through his unique and dark sense of humor he eventually begins to have some underground success. American Splendor is the title he gives to his autobiographical graphic novels which narrate the common events that take place in his life. In his work he often includes his interesting co-workers: the autistic Toby Radloff (Judah Friedlander), and the veteran Mr. Boats (Earl Billings), with whom he shares hilarious interactions. Thanks to the success of his comic he also gets to meet his future third wife, Joyce Brabner (Hope Davis), and their depressing relationship also becomes an important part of his work. These interactions about the working class and Pekar's way of telling them are the heart of this biopic.In a way American Splendor's sense of humor reminds me a lot of Seinfeld, although Pekar's vision of life is far more depressing. The blending of documentary footage and narrative feature works thanks to Giamatti's spot on performance. Having the real Harvey Pekar and the actor portraying him in the same film could have been a disaster, but Giamatti captures his mannerisms so well that it works and takes this character study to a higher level. I also thought the secondary characters in this film were all very interesting. They were all so quirky and different, but their interactions with Harvey made for some funny material. One of the scenes that stood out for me was the scene where Harvey and Toby are criticizing The Revenge of the Nerds movie. American Splendor is a very innovative and odd film and one worth checking out despite lacking some better pacing at times. Still it stands out by combining fact with fiction in a very creative and funny way.

Aaron C (ru) wrote: entertaining cop/secret agent family drama set in paris, tokyo & kyoto... brilliant, especially the shopping :D

Kenneth L (it) wrote: I felt maudlin morose for much of this. I just couln't feel compelled to care about whether they got a relationship going or not.

Hammy 0 (ag) wrote: I read some of the reviews here stating the film had cheesy lines. I'll tell you what's cheesy the reviewer's lines. This is one classic film, filled with love, and injustice. The film is filled with rich characters, that are eye opening. Nicholas Cage was perfect, his accent was on point. A very heart felt, reality film. There is action, drama, and suspense here, a very enjoyable film.

Francisco G (gb) wrote: A completly mental concept executed with the lowest budget possible, pulling laughs everytime the creatures shows up, for it is so lamely made and executed, you almost feel sorry for this tragic violent beast. Not just that, the acting is one of the worse ever seen but it complements the cheesiness of it all so well, it actually works.It's only shocking because of the atrocious sound design that got on my nerves more than once, but again, it just works since the rest of it so lame. A definite watch for fans of the genre and to discover Henenlotter's mental style, to serve as an appetite for his upcomingly mental Brain Damage.

Kevin V (fr) wrote: I admit, I do like Albert Brooks' dry, satirical wit, especially in Defending Your Life, where his style of humor and story were a perfect match. (And his great over-protective parent voice as Nemo's father in Finding Nemo) So I rented Modern Romance which was supposedly one of his "classic" early comedy works, only to be very disappointed. The movie starts and goes nowhere, with dry humor that barely bubbles up to humor. And I could never stand either partner in this romantic couple comedy, wondering why either one would want to date each other, let alone why anyone would date these two insecure, annoying people. Sorry Al, still like you, but this is one is forgettable.

Cassandra M (es) wrote: Bergman is the master when it comes to dealing with the intricacies of love and relationships, this film is extraordinary in the way it slowly gives us an insight into these four lost souls as the struggle to make sense of life and try to find their way which isn't easy, the bleak landscape, the desolation, the sparse dialogue, Liv Ullemans face in close up all come together to produce an explosive emotional roller-coaster with an inevitable outcome, the violence of the characters emotions spill over into the environment in the form of an unexplained killer of dumb animals.Where are the contemporary films to match such genius, where are the voices to guide us through the fog?

Christopher S (jp) wrote: Interesting quasi-documentary has some compelling things to say about the nature of reality and perspective as it relates to film. But even at its meager running time, it does go on to long, making its major points early on and the sort of just repeating itself. A number of engrossing moments and ideas, but not quite the experimental masterpiece some have made it out to be.

Brandon S (de) wrote: I may be the last poor schmuck to see this movie, but I'm glad I waited as long as I did. You see, I graduated from high school nearly three years ago, and I think I'm the perfect age for this movie: still wayward, still figuring out what God has in store for my life, and still looking back with both endearment and hopeless embarrassment on my high school years. They feel close enough that I can touch them, but I don't want to.Richard Linklater's perfect coming-of-age comedy is about growing up and staying young in equal turn. The point is that everyone will walk away from this gem with something different. That's the beautiful, insightful, transcendent quality that this side-splitting flick has going for it: timelessness.DAZED AND CONFUSED launched careers of some of the biggest stars of the '90s and 2000s, but my favorite performance of the bunch is easily Rory Cochrane as the easy-going, thoughtful stoner Slater. He shines very brightly in this movie among a cast of spectacular stars.This movie can't be missed.