Suffering short-term memory loss after a head injury, Leonard Shelby embarks on a grim quest to find the lowlife who murdered his wife in this gritty, complex thriller that packs more knots than a hangman's noose. To carry out his plan, Shelby snaps Polaroids of people and places, jotting down contextual notes on the backs of photos to aid in his search and jog his memory. He even tattoos his own body in a desperate bid to remember.

A man, suffering from short-term memory loss, uses notes and tattoos to hunt for the man he thinks killed his wife. . You can read more in Google, Youtube, Wiki


You may also like

Memento torrent reviews

Andy G (ca) wrote: I thought it was going to be better.

(br) wrote: A sad, human drama, in full Bergman style. It's too ponderous at times, so that it feels longer than it is. It can hinge on the boring during some scenes, and yet the overwhelming impression you're left with is that you're in the hands of a talented film maker.

Frank V (es) wrote: Jennifer Lynch (daughter of David Lynch, has some good ideas in her film Surveillance but it really doesn't amount to anything, and falls quite flat. The film tries, and at some points it succeeds, but most of the other time it stagnates. The film builds to an interesting and lacklusterly executed twist, while the movie comes to a resounding 'meh'. 2.5/5. Nothing special.

mRbLuE (ca) wrote: A mix of showgirls and Scream but with a hatchet instead of a knife. Plot was good but the blood effects were terrible and fake.

Rhonda B (de) wrote: I love this movie! I spent $85 on 3 3-inch fresh cut ribeyes to celebrate my husband's PhD (and we were struggling college students!) b/c of this movie... besides the great food/allusions to food and cooking, there is also a terrific mob premise!

Graeme E (kr) wrote: I'm finding it impossible to boil down the events in the film into a 10-point scale. It's difficult to discern whether this movie is actually "good", or not. That being said, the images of this community of cat-killing, glue-huffing, chain-smoking individuals have been singed into my retinas. Living out a life of middle-class luxury, you tend to forget that people this filthy do in fact roam the same earth you do. It's an odd film that I would recommend to people who need a little touch of perspective, or just want to see some fucked up people.

Tony P (ca) wrote: 1994 this was made. At the time of writing this review a whole 23 years!The film that introduced the world to the bumbling posh Englishman Colin Firth (correction Hugh Grant!).The title gives away the premise of the film pretty much.The film is pretty humorous in a Hugh Grant/Working Title film production sort of way starring Grant, Kristin Scott-Thomas, Andie MacDowell and a delightful cameo by Rowan Atkinson.Throw in some British (includind Scottish) humour, a decent cast and script and the film was destined for success in 1994.

Indira S (kr) wrote: so,,, apparently "the bird cage" was a remake :I

Rod P (fr) wrote: Cmon! This movie sucked!

Edith N (de) wrote: Everyone Was Cool When They Were Young You know, I tell people that I watch some four hundred movies a year. The observant eye, however, will note that I don't post that many reviews, given one a day, and it's true. On the other hand, I watched [i]Fellini's Roma[/i] last night and [i]The Testament of Dr. Mabuse[/i] this afternoon and didn't really have five paragraphs to say about either. That's how I judge it, you see. There are two half-finished reviews in backlog for movies I enjoyed and want to talk about and just cannot get the full five paragraphs out. Of course, I can make my reviews shorter; I don't actually have to post reviews at all. I am doing this of my own free will, as Harold Lauder said. However, half the reason I write this is to put a little structure into my day, and half of that is doing things right. I was schooled, these many years ago, in the Five Paragraph Essay, so that's what I write, and if I can't, I don't. Larry Lipinsky (Lenny Baker) is only a borderline five-paragraph subject, especially since he's nowhere near as interesting as he thinks he is. He moves out of Brooklyn, away from his mother (Shelley Winters!) and father (Mike Kellin), and into the titular Village. He has a girlfriend, Sarah Roth (Ellen Greene), from the old neighbourhood, but he gains the sort of quirky, interesting people we all want to remember surrounding ourselves with. Though none of these people are also what you might call healthy--how reveals itself for each as the story progresses. There is Connie (Dori Brenner), short and sarcastic. There is Bernstein Chandler (Antonio Fargas), both the token gay and the token black. There is Anita Cunningham (Lois Smith), hurt by life in ways we never know. There is Robert Fulmer (Chris Walken by the opening credits, Christopher Walken by the end ones), handsome and not altogether trustworthy. There are all the other colourful denizens of Larry's life. Broadly, there is even a plot, a sort of bohemian coming-of-age story about a Jewish boy--with an overbearing mother--who Just Wants to Act. There's the love affair with the Girl Next Door, which kind of twists badly with the Just Being Cool. Really, though, the plot doesn't matter. This is just us delving into Larry Lipinsky, and the reason I wasn't entirely sure if I could get five paragraphs out of this was that, frankly, there's not much to be seen in there. Larry's supposed to be talented, and maybe he is, but we never really see it. We're supposed to see his acting coach (Michael Egan) as a pretentious twit, and he is, but he's right that Larry uses his sense of humour to distance himself from the world. I freely acknowledge that pretty much everyone is like Larry when they're young, but that doesn't mean they're worth watching. If Larry's situation weren't so interesting, the movie wouldn't be, either. Honestly, the movie is probably most notable because of young Chris Walken, then the age that I am now, and even-younger (twenty-four!) Jeff Goldblum. Who plays a pretentious twit with no sense of humour, so not actually the Jeff Goldblum we've come to know and love. We have brash, brassy Shelley Winters, which I rather like better than passive, put-upon Shelley Winters, but Goldblum as a pretentious actor willing to throw his personality away with both hands if it'll get him a job is delightful. And Christopher Walken . . . people forget, I think, that he was not an unattractive man in his youth. Yes, now, he'll do any script you put in front of him, apparently literally. However, there was a time when he was young, and in those days, you could believe that he had money from sleeping with older women who were aroused by the idea of a poet. And you could believe that just about every main character except for Larry himself would love to sleep with him. The thing is, don't you remember sitting around with your friends, for preference when you were in college, and having the deepest conversations anyone ever had? Don't you remember sitting in a restaurant/coffee house/coffee shop with them, thinking about how you were a grownup now and didn't have to worry if you'd done enough babysitting to pay for it? Sure, you now had to worry if you had enough left in your paycheck after rent and utilities and actual food, but that's an adult concern, not one for mere kids. Yeah, Larry's friends in this are mostly a hair older than he is, but the mood is the same. Let's face it--a lot of these people are in a state of arrested development. Anita, or at least the actress who played her, was forty-six at the time, but was it really possible to picture her as anyone other than who she was in that time and place?

Sharon A (it) wrote: Disappointingly, I was unable to fully watch this due to the disc being scratched (thanks to that person who did that, was really looking forward to watching this film)What I could see was good and I thought it was quite a interesting film. Unfortunately, after having to keep stopping the disc, and then jumping to the next chapter, too many times, I just felt I was missing too many valid points in the story to continue.Who knows, one day I may get a chance to revisit this film, and get to see what I missed and hopefully enjoy the film as I had hoped to do so in this sitting.

Alex K (us) wrote: My Favorite Comedy Film Is 1933's Duck Soup.