Prom Night in Mississippi

Prom Night in Mississippi

A high school in a small-town in Mississippi prepares for its first integrated senior prom.

A high school in a small-town in Mississippi prepares for its first integrated senior prom. . You can read more in Google, Youtube, Wiki

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Prom Night in Mississippi torrent reviews

Courtney S (it) wrote: Thought-provoking indeed. Basically, Yoav Shamir, who has a pleasant, almost sing-songy way of speaking English, approached the topic of anti-Semitism in this day in age as being an integral part of a Jewish identity, especially in Israel, as a force of nature, as a constant buzz - starting with the fact that he had never actually experienced it himself! One thing I found really interesting to see played out was when the Israeli "kids" (high school kids) went to Poland to visit Holocaust sites, memorials and museums and one in particular was so convinced that Poles would be anti-Semitic that a question about where she was from (which she actually couldn't understand) got embellished by her and her friend to the point that attributed to this man was calling bitches and donkeys because they were from Israel. While I could accept the everyone-is-an-anti-Semite argument from a Holocaust survivor, it seems demented coming from such young people. Just like Norm Finkelstein compared his upbringing where everything was compared to Auschwitz, everyone calls everyone else a Nazi in Israel. A fascinating phenomenon. I was very impressed with how he let people speak for themselves without shying away from asking certain questions - of the left critics and the objects of their criticism. Even when some Black residents of a "mixed" Black and Jewish neighborhood in Brooklyn slipped into anti-Semitic stereotypes, I felt that the whole problem there was segregation and a lack of understanding - there seemed to be no malice, just bewilderment and I am inclined to believe that clashes between Jews and Blacks do not happen all that often and agree with that one rabbi that it's absurd to take any conflict that involves a Jew and call it anti-Semitism. Uri Avnery said you'd have to use a microscope to find anti-Semitism in the U.S., where Jews have never had it so good. Norm Finkelstein pointed out that when there is so much hunger, starvation, humiliation, war, death, destruction - when all this exists, it is offensive to go on the hunt to find anti-Semitism as if it is more than usually ignorance, especially in the US - but religious Jews in Moscow seemed to offended at the idea brought from Israel by Shamir that people are so anti-Semitic in Russia - one interesting idea was that secular Jews cling to anti-Semitism and see it as a part of their identity, whereas religious Jews aren't all that bothered by it, they're too busy practicing Judaism. The one tour guide in Poland said some interesting things about Israeli culture emphasizing death so much, living in that feeling so much that they can't be a normal people. Two "kids" spoke about having such a high threshold for suffering (comparing everything to the Holocaust, the most incomprehensibly cruel event in modern history) and that when they see Arab homes demolished on TV it seems like nothing compared to gas chambers, etc. Really interesting insights. In the end, it only benefits the State of Israel for their young people to be imbued with a sense that the entire world is populated by anti-Semites, to routinely bathe in the blood of the Holocaust - it doesn't benefit Israelis to define themselves as victims. It must be crippling for some and there are plenty of cultural-political criticisms that say it has a culturally deadening effect on Israeli society. It's tragic that people so earnestly believe that everyone is out to get them; the fear is as real as a white woman thinking any Black man she meets on the street at night will rape her, but it's every bit as paranoid and unreasonable. One tenet of Zionism is that anti-Semitism will always exist and that Jews can never assimilate, which like the disturbing idea about patriarchy that men have always and will (presumably) always oppress women has no hope, no future in it. A number of the people in the film, many religious Jews and Israelis, expresses this sentiment in merely the title of his book, The Holocaust Is Over: We Must Rise From its Ashes. That it is detrimental to Israelis to see Nazis everywhere and a Holocaust always on the way - it can keep people in Israel (not those thousands of migrants moving to Germany, Poland and elsewhere), but it has to be harmful.

Brandon W (au) wrote: Superbad is directed by Greg Mottola, and it stars Jonah Hill and Michael Cera in a high school movie about 2 best friends that are about to graduate high school, and they have to get the alcohol for a party as they think that it'll impress the girls that they like. This is the first film that is actually written by Seth Rogen and Evan Goldberg, and so far with the films that they wrote, I managed to enjoy them very much, which for this one, it made stars out of the actors, and with good reason also. Michael Cera and Jonah Hill work each other very well together and you can see about why they are best friends as it is very typical for those people to be high school students. Christopher Mintz-Plasse in his first film role has the comedic timing for the jokes, which gave me a laugh, and whenever he's with Seth Rogen and Bill Hader, their story is probably the most entertaining part of the film as they have a lot of fun chemistry, it's hilarious to watch, and it has a lot of heart from them, which they are just likable idiots. The writing by Seth Rogen and Evan Goldberg is really good with some of the dialogue being really funny enough that rightfully deserves to be a meme. The beginning has got a lot of jokes that got a laugh out of me, but when it gets a bit close to the end, I wasn't really laughing as much as I thought I would've gotten from it. It does a good job portraying some of the high school students as very awkward as it can be relatable to anyone that was in high school. Superbad may not be one of the classics for the high school genre, but at least I'll find it memorable enough to stand out.

Kate M (ca) wrote: I think that this one is generally underrated. Not your usual crappy kids' film where they have to cry in the middle of it, plus plenty of humourous references in there for the adults. Watch it with the kids after a large gin, it worked for me!

William S (ru) wrote: Really weird, especially with Finnish subtitles

Shawn W (br) wrote: Gangland action in Hollywood as the leader of the all female Satins takes revenge on the members of the guys from the Scars after they kill one of her friends and rape her handicapped sister. John Vernon needed a larger role.

Ben L (fr) wrote: Compulsion is a film about a pair of hyper-intelligent boys who believe their higher mental capacity puts them above morals and the law. As a result they murder a young boy. This film is easily my biggest surprise of this month perhaps even this year. The story of these 2 boys and their struggle to avoid detection is fascinating particularly because they both have such inflated egos and can't resist the urge to brag or push themselves to do more. I cannot say enough about the acting performance of Dean Stockwell. Bradford Dillman does a fine job as the other perpetrator, but the way that Dean Stockwell plays the character of Jud is so nuanced and interesting. He idolizes (perhaps even loves) Artie, he does some mental jousting with the lawyers in the case, he even has a revelation at the end of the film that is played perfectly. Every other actor did a fine job in this film as well, I mean Orson Welles is in the movie, but there was just something about Stockwell's performance that blew me away. Perhaps it has to do with the fact that I always saw him as Al on Quantum Leap or some over-the-top villain like in Battlestar Galactica, so to see him play a role with such subtlety was a revelation.The choices the cinematographer made were also great. A lot of interesting shots, particularly on the key piece of evidence that kept you in the story. They did some nice tricks with the editing as well that made the passage of time trackable. While we only had a couple hours of film it was easy to see that the characters were experiencing a much longer passage of time. I'm trying not to delve into spoilers because this is a movie I highly recommend people check out for themselves, but if you have no interest or have already seen the film continue reading. Spoilers start here: Suffice it to say the boys get caught in their crime and about halfway or even two-thirds of the way through the film it shifts into this courtroom drama. It's not a heavily detailed case, and I'm sure it's loaded with lots of innaccuracies in procedures, but it's extremely engaging. Orson Welles, unsurprisingly, just steals the movie from this point on. His tactics are brilliant, and we get a genuine feel for how exhausted and world-weary he is by the end of the film. Then he breaks into a speech, and this is one for the history books. It feels like he's going on for about 15 minutes straight without stopping. By the end he has made one of the most convincing arguments against the death penalty that I have ever heard. I have to imagine even the most cynical and hardened person would struggle to say these boys should be executed when he's done with his argument.What I found so excellent about Compulsion is the way they structured the story. The murder of the little boy doesn't happen for us to see, in fact we never see the boy at all. This makes it so the story is all focused on the 2 boys who committed the crime. They also have an extended sequence of the boys trying to cover up their crime and avoid detection. This is different from most courtroom dramas that want to rush to the criminal case. There was very little I didn't like about this film and I hope that this review will encourage others to give Compulsion a try because I feel it was ahead of its time.

Leah T (br) wrote: Good portrayal of Steve Jobs.

Cain L (mx) wrote: Another great biopic film this time helm by Martin Scorsese and fantastically lead by Robert De Niro and Joe Pesci. It shows that it can be a bloody and visceral without needing a colorful picture.