Running on Karma

Running on Karma

A monk turned body-builder, with the gift to see into people's lives, befriends a female cop, and uses his gift to change the force of Karma and her destiny.

  • Rating:
    4.00 out of 5
  • Length:93 minutes
  • Release:2003
  • Language:Cantonese,English,Hindi
  • Reference:Imdb
  • Keywords:monk,   policewoman,   muscular,  

A monk turned body-builder, with the gift to see into people's lives, befriends a female cop, and uses his gift to change the force of Karma and her destiny. . You can read more in Google, Youtube, Wiki

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Running on Karma torrent reviews

Carina D (de) wrote: Uuuunderbar film! Trots att jag sg den efter midnatt och knappt kunde hlla gonen ppna av trtthet s ville jag inte missa en enda filmruta. Charmig, skn stil, Simon r en strtskn karaktr, likas den spralliga tjejen. (Plus, vad sknt med en film som klockar in p 90 min, det var inte igr.) Rekommenderas varmt!

Crusader (au) wrote: This is a very powerful documentary and it is making me re-think whom I buy bottled water from and even changing to one of those water vending machines located at the supermarket (so long as they are not owned by evil multinationals Coca-Cola, Pepsi, Nestle, et al).

Nikki D (es) wrote: Oddly compelling, Maggie Gyllenhall is really good, but it's just a bit weird. That said it held my attention and it has a resolving ending.

Kathir B (ag) wrote: simple intrigue.Tim Roth is a great actor.

Larry R B (ca) wrote: Goofy fun! Not scary but some gore to it!

Evan H (ru) wrote: This movie was a flop, and I can see why! The plotline is pretty thin and the acting is the only thing that holds this movie up, just a little. It's worth seeing if you like movies that focuses on a family, but other than that it's pretty slow...

Jared H (ag) wrote: It was a very interesting film. The plot is very hard to follow. I believe that is because of the dialect of Jamaica and probably a few gaps in plots.As far as the depiction of the culture of Jamaica and Rastas it is a good representation. There are hardly any trained actors so most people are playing themselves.The Soundtrack is amazing tho sometimes it seems to clash with what you just saw happen. Overall enjoyable just not a masterpiece.

Ivan B (de) wrote: Opaka niskobudzetna noir horor zajebancija o privatnom detektivu koji trazi nestalu djevojku i naleti na kult kurvi koji jos od starog Egipta stuje motorne pile, ugl pravi srot koji je ocigledno napravljen iz zajebancije

Helga M (ca) wrote: This is a chunk of history I knew nothing about, so was interested to learn more. Of course, as it's from Hollywood, I don't know if it's accurate or not. The great Olivier was (I'm sure unintentionally) funny in dark face paint pretending to be a middle-eastern Muslim Messiah leader. I kept wondering if there really were NO middle eastern actors in Hollywood in the 60's? Why all the Brits in face paint? Anyway, other than that, it was a well-made and interesting movie. Battle scenes quite tame compared to what you see now, but keep in mind they could not rely on digital magic to create any effects.

Simon D (us) wrote: Watchable but very cliched undercover narcotics cop drama.

Blake P (ru) wrote: Sometimes a twist ending becomes more famous than the movie it derives from ("The Crying Game," "The Sixth Sense"), and "Sleepaway Camp," a shameless 1983 "Friday the 13th" knock-off, is no exception: it contains perhaps the most shocking, most memorable plot jerk in the history of horror cinema. It is so out of the blue, yet so surprisingly believable, that we leave the theater stunned and disturbed, a sign of an effective horror movie if there ever was one. It's the sort of film you cannot watch a second time - knowing of what's to come will ruin that intense screech you may have emitted during first viewing. All jolts aside, though, "Sleepaway Camp" is nothing more than a paltry slasher that gets more credit than it deserves simply because of its conclusion. Had it gone the "Halloween" or "Black Christmas" route, leaving the identity of the killer ambiguous one way or another, it would be a rote, boring even, foray into the genre, not necessarily because of its lack of blood but because of its lack of genuine suspense or interest as to what's coming next. Most who view the film as an important moment in the history of horror better think again - if it didn't have that final gut punch, would it be so infamous, so renowned? I don't think so. It introduces itself with a laughable sequence set in 1975, with a family out boating for the day. It is a warm summer afternoon, perfect for familial bonding - laughs abound as father and his two kids, Peter and Angela, frolic around the starboard, pushing each other playfully into the water when need be. But such picturesque sun-soaked fun cannot last in a 1980s slasher movie, so it comes as no surprise when a couple of reckless teenagers with a motorboat fail to pay attention to what's in front of them for a good two minutes and crash into the family, instantly killing father and Peter. Eight years later, Angela (Felissa Rose) is living with her quirky aunt, Martha (Desiree Gould), and spends every waking moment reliving the traumatic incident that destroyed her childhood. She hardly ever speaks, her overprotective cousin Ricky (Jonathan Tiersten) doing most of the talking. As the film opens, the kids are being shipped off to Camp Arawak, where they will spend the next month or so. Ricky is familiar with most of its goers, but Angela, shy and innocent, is mercilessly picked on, particularly by the melodramatically bitchy Judy (Karen Fields) and her sidekick, Meg (Katherine Kamhi). So you could say that the atmosphere reaches unfathomably tense heights when mysterious attacks and murders begin occurring left and right, the person responsible impossible to guess as a sleepaway camp holds hundreds of inhabitants. Though it bears a concept worth a great deal of interest, writer/director Robert Hilztik does not have quite enough filmmaking skill to provide "Sleepaway Camp" with the self-referential tone it would so greatly benefit from. It feels like a parody in itself, with body builder counselors, sexually thirsty (and disgusting) camp head honchos, aggressively mean girls, and virginal youths as stereotypes that never seem to be in on the joke. What's more, the deaths, though a bit more inventive than its slasher peers (consider slaughters that involve a stickily situated beehive and a vomit inducing use of a curling iron), feel like a chore the film had to endure in order to stay in place as a dead teenager movie. They lack any sort of excitement, coming by hastily and without much payoff. Perhaps I'm in the minority - its cult fanbase considers "Sleepaway Camp" to be even better than "Friday the 13th" - but the film is, in truth, a run-of-the-mill slasher that just so happens to be christened with a great ending. Take away its gimmick and what do you have? A snoozer.