Since You Went Away

Since You Went Away

While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and rationing are minor inconveniences compared to the love affair daughter Jane and the Colonel's grandson conduct.

While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and ... . You can read more in Google, Youtube, Wiki

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Since You Went Away torrent reviews

Rainer K (au) wrote: Groes habe ich ber den ungarischen Gromeister gehrt. Vor allem die Vergleiche mit Andrei Tarkovsky haben mich aufhorchen lassen, und so machte ich mich nach eineinhalb Jahren, seit mir dieser Film das erste Mal bei den European Film Awards untergekommen war, endlich ans Werk, das Werk von Bla Tarr zu erforschen.Ich habe groartige Bilder verpasst. Atmosphrische Schwarz-Wei Aufnahmen mit beeindruckenden Dollyfahrten. Einen Film, noch langsamer, als alles was Tarkovsky zu bieten hat. Tatschlich wurde ich fters an Chantal Akermans Jeanne Dielman" erinnert als an irgendeinen Tarkovsky Film. Diese monotone Eintnigkeit der tglichen Ablufe im Hause der Familie, deren Pferd spter einmal Nietzsche in den Wahnsinn treiben sollte.Vor lauter Eintnigkeit und Leere blieb mir leider auch der tiefere philosophische Sinn, sollte der Film berhaupt einen enthalten, verborgen. Zwar war ich begeistert vom den technischen Aspekten wie Kamerafhrung, Musik und der fast vollkommenen Absenz von Dialog (ehrlich, dieser Film ist fast ein Stummfilm) sowie von den ewig langen Einstellungen, aus denen der gesamte Film besteht (es sind kaum dreiig glaube ich gelesen zu haben) aber Tarr beweist sich als Meister des Unkommerziellen.Oft bewegt sich der Film nur knapp am Rande der Langweiligkeit, ohne die selben meditativen Qualitten wie Tarkovskys oder Malicks Werke zu zeigen. Sicher einer der langsamsten Filme die ich je gesehen habe.Ich finde es gut, wenn sich Regisseure aufs visuelle Erzhlen verstehen, Dialog und andere Mittel in den Hintergrund treten lassen, und sich auf das per se filmische konzentrieren, aber Das Turiner Pferd" fehlt ein wenig der tiefere Sinn. Zwar mag er visueller Poet und Philosoph sein, hnlich wie der mittlerweile schon mehrmals genannte Tarkovsky, doch jener versteht es weit besser den Bildern durch Montage und gelegentliche Pacenderungen Sinn zu verleihen, whrend Tarr sich stur aufs Abfilmen in neo-realistischer Tradition konzentriert.Das Turiner Pferd" zeugt von Tarrs berzeugung als Filmemacher alle Zeit der Welt zu haben um seine Geschichte" zu erzhlen und den Dingen auf den Grund zu Gehen. Warum er dann nicht tatschlich den Dingen auf den Grund geht, sondern still und stumm die Dsternis einziehen lsst sei dahingestellt.PS: Ungarisch ist die passende Sprache fr einen Schwarzweifilm.

Jeje W (jp) wrote: The Amazing Spider-Man wasn't good. Nobody did a fantastic job, in fact, everyone kind of sucked. Andrew Garfield is awkward, Emma Stone is weird, and Rhys Ifans is just creepy. The CGI is bad, the story is the same thing that we've seen in the previous, much better Spider-Man movies except boring, and nothing really adds up and turn into a sloppy mess. The Amazing Spider-Man gets a 4/10.

Jeff K (de) wrote: Not bad. Not good either.

Nana D (de) wrote: i want 2 c dis movie

Matt M (es) wrote: Another version of the Jesse James legend in this modern western. The outcome is very forgettable and hardly stands out at all.

Curtis M (de) wrote: Sad true story with no real victory. Sure, Stahl eventually overcame a several decade addiction that put him in further debt that his success (with ALF) could hold him up. He's really done nothing since then. A couple screen plays and a handful of CSI episodes. What a waste he made of his life. But again, maybe what he has going on behind the scenes is much better for him than Hollywood success.

Joe S (br) wrote: seen me the movie please

Amanda W (jp) wrote: I think this is an amazing courtroom drama that I saw 15 or so years ago. It was incredible, long, but incredibly good.

Anthony C (it) wrote: An excellent and underated horror film. Seeing this i idid not expect it to be as good as it was due to its public domian status and chessy alternate titles but i was pleasantly supriesed. Slow ,atohpereic and artsy this movie leaves good time for chracter development but at the same time draws you into its bizare tone. the pacing is grate and the twist while predicable works. Proof that you dont need gore for a frighting flick i recommened this movie to fans of Carnival of souls or lets scare jessica to death as it is in the same class as those

Steve H (br) wrote: worthwhile watching, interesting concept although they should've finished the movie 15 mins before the end.

J M (fr) wrote: "Love, lose, & depression, & love, after love"***1/2See if you can dig this; fate delivers a message in a bottle that got thrown into the Atlantic Ocean; the message is about a man & his wife; it is no less delivered to the sick dying wife; separated from her husband & living with her parents. She writes on the message & throws it back in the ocean right before her husband arrives to take her home to die. Later a divorced single mother that works for the Chicago Tribune finds the bottle while on vacation by the shore; fascinated by the words on the message: she uses her contacts as a journalist to find the man that, wrote the message.The movie: is about, love, lose, & depression, & love, after love; guy's call this a total girly movie. For me shortly after the beginning of this film I could predict every scene that would come next. Never the less it was not unbearable to watch it & this will be a decent movie for a couple to enjoy, or a fan of love stories.~I give this film a C (Common)

Trey B (it) wrote: A great follow up to a good start!