Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.
- Category:Action, Horror, Mystery, Thriller, Biography
- Stars:Joey King, Patrick Wilson, Vera Farmiga, Mackenzie Foy, Ron Livingston, Lili Taylor,
- Director:James Wan,
- Writer:Chad Hayes, Carey Hayes
In 1971, Carolyn and Roger Perron move their family into a dilapidated Rhode Island farm house and soon strange things start happening around it with escalating nightmarish terror. Soon they are haunted by noises and ghosts and Carolyn meets the famous paranormal investigators Lorraine and Ed Warren... . You can read more in Google, Youtube, Wiki
The Conjuring torrent reviews
(us) wrote: Wateva Comments everyone say...! Nice Attemp And i Appreciate it...!
(ru) wrote: Great story line with great martial arts scenes. If you're interested in martial arts would definitely recommend this one!
(mx) wrote: Gave up before the end
(br) wrote: This is a little ghost story that has a terrifying secret to reveal to you! It may not win any awards for originality, but this is a perfect example of how to make a deliciously creepy ghost story without all the bling! You may even find yourself questioning shadows in the dark!
(ca) wrote: This movie touched on some very interesting points about a couple of self-hating ethnics who feel their lives would be better if they could hide their ethnicity by getting with a blue-eyed, blond person. They take out their hate for themselves on each other, but hate turns to love. This has the foundation of an awesome movie but the filmmakers just didn't go deep enough.
(mx) wrote: For many years I said that this was the worst movie I'd ever seen. Then I saw Be Kind Rewind.
(fr) wrote: hope it stay true to the comic
(jp) wrote: An ahead-of-its-time anti-communist political thriller which outshines it's cold war era peers, Samuel Fuller's Pickup On South Street is a remarkably tough and gritty film with a sense of intimacy and urgency provided by the aggressive close ups and the actors, all of whom have never worked better than in this.
(nl) wrote: A classic example of a director's style being trampled all over by the Hollywood machine - this more than pales in comparison to Lang's earlier expressionistic work and contains none of his signature genius.
(it) wrote: Jason Goes to Hell, although still part of the official franchise timeline, can be viewed as a stand-alone effort for several reasons. It was the first (and only) F13 film released during the 1990s, the first to lack the "Friday the 13th" title card, lives by its own set of "Jason rules", and was, like its predecessor, entirely ignored by future sequels. By "Jason rules" I mean the newly introduced concepts that (a) Jason is a parasitic, body-hijacking demon who is seeking to destroy his remaining family because (b) only a member of the Voorhees bloodline can definitively kill him. It's a lot to swallow in one sitting so let's start from the top. The film begins with an excellent cold open, dropping the audience almost immediately back into a darkened camp and recreating the kind of stark suspense we haven't seen since Part 2. Unfortunately it's also the highlight of the movie and the only point where it resembles a Friday the 13th film. Jason is dispatched as quickly as he's introduced and from there we get heart eating, body-jumping, and 90s lady bangs. The body of this picture in no way resembles the aesthetic we've come to know and your level of enjoyment depends on how willing you are to accept these fundamental changes. I must comment on how stupid Jason's makeup is in this movie. He looks like a dirty ball of hamburger meat dropped in hair clippings that someone slapped a mask onto. Also, what's with the all denim outfit? I don't remember him being so coordinated with his fashion. Maybe it's better we were spared the sight of that greasy Canadian tuxedo for most of the film. There's one clear question a fan has to answer when watching this: is the concept of Jason as an invading symbiotic organism stupid? Probably but, the way I look at it, at least he's in the movie. I certainly dislike how little screen time the hockey mask gets but I also respect the writers for doing something new that isn't cheesy or a thoughtless gimmick. New Line doesn't afford us much of a respite from that behavior moving forward so we must be grateful. Another change is that Jason Goes to Hell doesn't follow the same formula as the other films and has more of an action, shoot-em-up feel. Again, this isn't what I'm looking for in one of these films but it does keep you interested throughout in ways that bad installments of the Classic Era failed to do. Leaving the camp removes most of the suspense and the abundance of filming locations eliminates any sense of claustrophobia. Director Adam Marcus also focuses on making the film self-referential and fun with varying degrees of success. It isn't campy in the way Jason Lives was but the film still gives a wink and nudge to series aficionados. Jason Goes to Hell was, and is, a polarizing entry for franchise fans. Some admire its effort to go somewhere original while others feel the new "Jason rules" spit in the face of established series continuity. Personally I share both points of view and wish the writers would have kept things at camp where these movies are most likely to succeed. The Freddy Krueger gag at the end is another flat conclusion in a franchise with a rich tradition of idiotic endings. Unluckily for us it also led to a cringe-inducing feature film that set American horror cinema back several generations. Stay tuned.