The Island President

The Island President

Follows the globe-trotting journey of President Mohamed Nasheed of the Maldives, the lowest-lying country in the world, who, after bringing democracy to his country, takes up the fight to keep it from disappearing under the sea.

After bringing democracy to his country, President Mohamed Nasheed of the Maldives, the lowest-lying country in the world, takes up the fight to keep his homeland from disappearing under the sea. . You can read more in Google, Youtube, Wiki

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The Island President torrent reviews

Nick F (nl) wrote: Typical Ferrel, pretty thin concept veiled in a cape of pithy one liners.

Julia L (au) wrote: a different angel to the topic:'father and son'.

Sarah M (mx) wrote: Great movie I love Missy. This movie makes me want to be able to do gymnastics. Sometimes annoying but other than that hell yes!

Djeego V (mx) wrote: Well, first planned to give it two stars. And then came the end which definitely earned it another half a star, lol...

Joy W (nl) wrote: One of my all time favorite tap dancing movies!

Dawn J (it) wrote: 1 of my 2 favorite john travolta movies this is actually the first john travolta movie i'v ever seen and it was so good that i watched more

Yves S (gb) wrote: Truffaut's witty take on the modern-day Don Juan is nothing short of masterful. No twists, no gimmicks, just an unflinching look at serial seduction, love, and loneliness. A beautiful film.

Harry W (br) wrote: Being the most contemporary film directed by Academy Award-winner William Friedkin, Killer Joe sounded like a thrilling experience.The high point of William Friedkin's career came from the 1970's with inconsistent results in the following decades, but given the popular reception of Killer Joe and the man's ability to build a strongly intense atmosphere in The French Connection (1971) and The Exorcist (1973), I figured that perhaps Killer Joe would serve as a return to form for the director. Unfortunately, this wasn't the case.Killer Joe plays out much like a stage production. There is a shortage of atmosphere because the reliance falls entirely upon the extended periods of dialogue rather than any particular technique in the cinematography or use of music. I can forgive a film like that if it has interesting characters, but Killer Joe carries no such thing. Killer Joe's story focuses around the titular character's planned murder of Adele, the matriarch of the Smith family. Much of the dialogue focuses upon clarifying the complicated relationship between the members of the family as they find themselves getting involved in the murder and the titular Joe Cooper begins to involve himself with the young Dottie Smith. The structure of the family relationship is familiar and there isn't much time to develop any of the characters beyond the archetypes they are, meaning that it is left to the cast to save the film. Killer Joe has some impeccably talented actors, but they're not enough to assist a production that just won't support them on any level. Killer Joe is a steadily-paced film, but there is rarely anything that actually happens in the film. The murder conspiracy at the heart of the narrative has a neo-noir element to it as does the dark colour scheme in the night time sequences and slow burning atmosphere, but rather than putting any major development into the characters there are characters who are presented as being equally relevant and arbitrary to each other. Everyone in the story is simply a McGuffin to move the narrative rather than any kind of actual character. The most developed characters are Joe Cooper and Dottie Smith, and yet Joe Cooper is kept too elusive and mysterious to understand all that much of while Dottie Smith is much of a background archetype. Since the characters are all relatively meaningless and few of them are all that likable for any reason, there is little reason to care about any of them. Ultimately, audiences are left with a slow film full of uninteresting and unlikable characters where essentially nothing happens, and what does happen is effectively cliche and lifeless. This is the experience that is Killer Joe, and as a result there is no atmospheric engagement to draw in audiences who have seen it all before or are desensitized to the mildly explicit use of blood. But I will give some credit to some of the stylish elements in Killer Joe. Despite its budgetary limitations, William Friedkin's eye for imagery helps to make the Southern Gothic nature of the story into a reality. The scenery is dilapidated and the colour scheme is very dry in the day and a dark shade of blue in the night, making the story feel grim. The actors prove themselves able to embrace this tone, even if the lack of character development stands in the way of allowing any major impact to take effect. Dottie Smith is the only majorly interesting character of the film since she is the one really innocent character in the narrative. Despite supporting the notion of her mother being murdered, this simply stems from the violence in Southern social norms which she has accepted as natural, yet she still finds a way to maintain her innocence in the process. Juno Temple captures this complicated mindset with such a sweet and innocent demeanour which becomes more fragile as Joe Cooper becomes more involved in her life. Juno Temple captures this with a very restrained and emotionally withdrawn nature, yet she intensifies it profusely when she is confronted with very personal insecurities and uncertainty. Juno Temple perfectly captures the nature of Dottie Smith's shattered innocence with the most soul of any character in the film, making herself the most consistently engaging presence Matthew McConaughey is also in solid form. Though the story is far too subtle with the nature of "Killer" Joe Cooper to be fully embraced, Matthew McConaughey works to keep him elusive and very professional about his job as a contract killer, showing his darker side only at selective moments in the film. There isn't enough screen time for him to really captivate audiences as he should, but the actor shows an inherently dark nature which is very unlike that of his more stereotypical persona from his better-known films from the turn of the decade. Matthew McConaughey shows a more twisted dramatic flair than ever before in Killer Joe, taking a step closer to the dramatic charisma that would lead him to Academy Award recognition in later years.Emile Hirsch delivers a deeply engaged an intense performance. Though his character is a very familiar one, Emile Hirsch manages to keep consistently in touch with the character Chris Smith by consistently conveying his constant sense of fear and insecurity. He is constantly under threat by the enforcers out to get him and the family he has brought his issues to, and he is constantly physical with his expression of frustration. He also shares a powerful chemistry with Thomas Hayden Church who too is a predictably powerful presence in a role empowered by the way he says so much through the use of very few words. Gina Gershon also delivers a strong performance in one of the best efforts of her career. She plays Sharla Smith as the sheer epitome of white trash and sleaze within the Smith household with a careless and self-indulgent nature which is as bleak as the world around her. Killer Joe wrings some strong performances out of its inherently talented cast, but due to its unlikable characters and slow pace, audiences are left with a atmospherically-bereft story in which so little happens.

Alex A (nl) wrote: Another piece of found footage garbage that is essentially a ripped off Blair Witch Project with a Bigfoot theme. And much like the disappointment that was the BWP, the main antagonist is never even shown! Don't waste your time.