The Magnificent Eleven
A modernization of the classic western in which the Cowboys are a struggling local amateur soccer team, the Indians run a nearby Tandoori restaurant and the bandits are a group of menacing thugs led by a maniac known simply as 'American Bob'.
- Stars:Sean Pertwee, Robert Vaughn, Keith Allen, Phillip Rhys, Irvine Welsh, Paul Barber, Nina Young, Joseph Millson, Jenna Harrison, Kevin Howarth, Kelly Wenham, Tanya Franks, Jay Simpson, Joe Egan, Gary Mavers,
- Director:Jeremy Wooding,
- Writer:John Adams, Peter Adams, Irvine Welsh
A modernization of the classic western in which the Cowboys are a struggling local amateur soccer team, the Indians run a nearby Tandoori restaurant and the bandits are a group of menacing ... . You can read more in Google, Youtube, Wiki
The Magnificent Eleven torrent reviews
(jp) wrote: ZZZZZZZZzzzzzzzzzZZZZZZZZZZZ
(gb) wrote: Tal vez no sea la mejor pelicula de Naruto pero aun sigue conservando esos matices que tanto caracteriza a la serie. La musica estuvo decente al igual que la animacion pero hay muchas elemento que no van de acuerdo a la pelicula entre ellos algunos secundarios como los nueve novatos que no aportan nada mas que ser rellenos. Encuentro bastante interesante al personaje de Menma y puedo decir que estoy decepcionado de no ve un desarrollo mas profundo en el personaje de Kushina Usumaki. Recomendada para los seguidores del Manga
(br) wrote: excellent Filipino thriller. family move to Manila to earn extra money and the husband gets a job in security but gets inadvertently involved in a heist.
(au) wrote: BOOOOOOOOO! HIIIIISSSSSSSSS! BOOOOOOOOOOOO! THE STUPID MOVIE MADE ME WATCH THE WHOLE THING ... STUPID MOVIE (>?<)
(gb) wrote: It's good movie to watch
(es) wrote: d best Indian movie in a long time-- creme de la creme ---rajni s so awesome
(it) wrote: looks like it will be kinda scary??
(mx) wrote: Would you believe that Chuck Barris, the inventor of TV trash ("The Gong Show", "The Newlywed Game"), pulled a Hannah Montana and also worked for the CIA? I didn't, and still don't. "Confessions of a Dangerous Mind" doesn't feel like a biographical film, maybe because it's pretty artsy or maybe because we simply cannot believe what we're seeing. Barris, in his memoir of the same name, claims that he killed over 33 people for the Central Intelligence Agency. Many, of whom, became victims while he acted as a chaperone during his contestants' vacation prizes. It's a strange declaration coming from an eccentric man, and you assume that "Confessions of a Dangerous Mind" will have the smart zaniness of "Being John Malkovich" (which was also written by Charlie Kaufman.) But George Clooney, who makes his directional debut here, reportedly wanted Kaufman's script to be "without corruption or softening," which, in this case, is a bad move. Barris was apparently very involved during production of the film, adamant about making sure his story was told in the most truthful way. In most cases, having the real deals running laps behind the scenes can be a good thing, but "Confessions of a Dangerous Mind" is a film that screams to be wacky - yet it instead goes on a downhill ride of increasing glumness that nearly kills all the fun. The film opens in 1981. Chuck Barris (Sam Rockwell) is holed up in a messy hotel room in the bad part of town, unshaven, clearly post-mental breakdown, and slightly agoraphobic. A woman knocks on the door begging for him to come out. He doesn't, making us wonder - what the heck happened here? Then, the film flashes back to the early '60s, before Barris was blamed for beginning the rise of TV garbage, brewing ideas for potential television shows while trying to stay on the rise. But right as Barris finally gets a deal on ABC, he is approached by Jim Byrd (George Clooney), a CIA agent who has been profiling Barris for months in hopes to recruit him as a covert operative. Barris agrees, intrigued by the lifestyle of a spy - but when he finds that Byrd is much shadier than he appears, murder goes from stylish to horrendous in seconds. As his career declines (both the public and critics tire of his low-class shows), so does his grip on reality. With a plot like this one, "Confessions of a Dangerous Mind" sounds like a black comedy. A TV host who moonlights as an assassin? Perfect. But the film never seems to understand what tone it's going for. There are times where the film is light-hearted, rippling with energy and alive in its conversations, while others are so somber that the quirky mood is smothered to death. There are three kinds of scenes - ones that are spirited and funny (Barris and Penny's first-meeting, an unconventional meet-cute that is executed flawlessly), ones that have the dark mystery of a James Bond film (Patricia and Barris' introduction to each other is covered in shadows and quite tense), and ones that are so shrouded in sadness that we can hardly bare it (the entire final half). Each individual scene is masterfully shot, but they come together with the same kind of force a toddler puts on a puzzle piece that just won't fit. The cast is excellent, and Clooney has enviable chops when it comes to directing, but "Confessions of a Dangerous Mind" has a personality disorder that can't seem to make up its dangerous, dangerous mind.
(ag) wrote: Kiarostami's conclusion to the film has been compared constantly to Jodorowsky's destruction of the line between fiction and reality. No matter how empathic his intentions initially were, Ta'm e Guilass is an ellaborate essay on a very difficult subject with the proper respect towards religious teachings.97/100
(fr) wrote: The best thing about this film is John Connor. Just psycho other than that.
(fr) wrote: Eastwood makes another questionable character charismatic and likable. Tension is ratcheted up masterfully in many scenes by Seigel. It's too bad the collaboration between the two ended here.
(ru) wrote: i thing gene is the cutest guy ever and judy is gorgeous as always...when these two voices collide, you get one of the greatest musicals of all time. george murphy is pretty freaking awesome, too!
(ru) wrote: The gold standard of Peter Boyle performances. Thought provoking, also.
(jp) wrote: Okay. I'm going to be very honest right now. This is the strangest, most bizarre piece of film I have ever seen, and honestly, I don't want to see it again. It was freaky. It just made me go, "What the hell was that?" I watched this movie thinking something awesome would come, but that "awesomeness" turned out to be a movie full of puppets literally decapitating themselves. That's not right. Sounds more like this idea originated from someone who came to Jim Henson, drunk beyond belief, and Henson agreed to this idea. It's a movie not entirely worth the PG rating.
(nl) wrote: ...an erotic thriller about infidelity that may seem surreal on plotting but filled with truthful human aesthetics. It has a strong performance from Diane Lane and the build-up of scenes are evocative enough to convey its premise.