The Misfit Brigade
War story of the 27th Panzers, Hitler's heavy-duty combat regiment composed of prisoners.
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The Misfit Brigade torrent reviews
Anna C (ca) wrote: This movie deserves half a star just because the only two capable actors in the cast die at the beginning: this was the only genial thing.
gary t (mx) wrote: WOW......WOW.....WOW.....SO SO SO SO SO BAD......MAN THIS IS SUCH AN AWFUL MESSY MESSY MOVIE 2 WATCH, IT IS SO SO SO SO DREADFUL, IT IS SUCH AN AWFUL MOVIE 2 WATCH, IT IS SO SO SO AWFUL MOVIE 2 WATCH, IT IS SO SO SO DREADFUL, IT IS SO SO SO DREADFUL, IT IS SUCH AN AWFUL MOVIE 2 WATCH IT IS SUCH AN AWFUL MESSY MOVIE 2 WATCH.......WARNING THIS MOVIE CONTAINS STROBE LIGHTNING EFFECTS THROUGHOUT THIS MOVIE......MAN THIS IS SUCH AN AWFUL MOVIE 2 WATCH, IT IS SUCH AN AWFUL MESSY MOVIE 2 WATCH, IT IS SUCH AN AWFUL MOVIE 2 WATCH, IT IS SUCH A BAD MOVIE 2 WATCH, JUST AVOID THIS MOVIE AT ALL IT IS SUCH A BAD MOVIE 2 WATCH, JUST AVOID THIS MOVIE AT ALL COSTS IT IS THAT BAD.....JUST DO NOT WATCH THIS MOVIE IT IS SO AWFUL.......ITS GOT A GOOD SOUNDTRACK THROUGHOUT THIS MOVIE.....BUT MAN THIS MOVIE IS SO SO SO AWFUL 2 WATCH....WARNING YOU HAVE GOT TO WATCH THE END OF THE CREDITS THROUGHOUT THIS MOVIE AS SOMETHING HAPPENES AT THE END OF THE CREDITS THROUGHOUT THIS MOVIE........
Jason M (us) wrote: its ok to watch if you have nothing else. but its far from good
Ben C (de) wrote: A great family movie that I believe is underrated.
Aldo G (de) wrote: A modern, homage to Marty. Shot in Chicago. It's endearing and quirky. The kind of film that feels like an old t-shirt: comfy, but you would leave the house wearing it
Vincent G (nl) wrote: One of the best movies of the 90's, spike lee's profound understanding of his culture is depicted well in this african-american masterpiece.
Lindsay A (nl) wrote: A little too easy to like the good guys and dislike the bad guys, but all in all a swell bike racing film/romance/family drama.
Bill M (ca) wrote: Giallo rope-a-dope. Lado gives a little camera move here, a flash there, lulls you to sleep, then unloads all he's got at the finish.
Ryan V (us) wrote: Federico Fellini's La Dolce Vita was an episodic satire of the excesses of Rome's idle rich; this loose adaptation of Petronius' epic poem moves this motif to the reign of Emperor Nero. The storyline follows a pair of sex-crazed youths through various acts of violence and vulgarity, but there's also plenty of room for Jungian archetypes and dream-like backdrops. The source material only exists in fragments, so Fellini has plenty of room to add his own ideas and impressions (Still, like the poem itself, the film ends mid-sentence). Fellini's Satyricon is so idiosyncratic that it's apt to alienate as many people as it beguiles. It probably shouldn't be anyone's first exposure to its director's work, but people who enjoyed 8 1/2 or La Dolce Vita will be able to get something out of this movie.
Alden W (kr) wrote: Tan moralmente ambivalente como la poca lo permita. Y con una Marlene Dietrich que se lleva todo por delante, en un personaje no es ninguna muequita de western. El detalle simptico es que la trama es narrada por las letras de una balada, que desafortunadamente nunca usa el gancho 'not-not-not-notorious'. Y Marlene Dietrich nunca muestra las gambas, como promete el afiche, pero nadie se quej.
Daniel W (au) wrote: Would have really enjoyed seeing this (with the same cast) as a play. As a film? ... I'd rather have watched it on stage.
joey b (jp) wrote: Awesome martial arts moves but not a realistic story line and the acting wasn't up to par
Grant J (au) wrote: Like a Coen brother's movie that the Coens never made.
Jim H (jp) wrote: I'm unsure if you have to be a complete nerd in order to enjoy this film. I mean: did I like it because the prospect of uncovering a literary mystery excites my nerd-dar, or did I like it because the film was able to raise this literary mystery/love story to a level of true suspense? On that note, it is actually rather interesting that the same good guy versus bad guy cliche can be translated to English scholars; in this case, the good guys are motivated by the search for knowledge, and the bad guys are motivated by greed.On a side note, this film made me wonder about the branch of literary criticism in which the film's characters engage. Biographical criticism functions on the theory that an author's life is paramount to understanding his/her work, and I refuse to engage in it not because I think the central tenet is wrong but because I don't think it's any of our business. In this film, two scholars, who weren't born when the 19th Century writers they're researching lived, read personal letters that the authors never intended for a larger audience. It makes me think that I should burn that journal that I can't bring myself to burn.As much as I enjoyed the film, there are some flaws. The conflict between Mitchell and Dr. Bailey is never fully understood because whatever tortures Mitchell was never revealed. Also, when other characters talk about Dr. Bailey, they deploy stereotypes about gender theorists. However, not only does Bailey's behavior belie these stereotypes, but it is rare that English scholars will bandy about such labels.Overall, though it's not for everyone, this is a very well-made film, featuring two cleverly paralleled stories, Paltrow's nearly perfect British accent, and a plot that will make the nerd in you blow the dust off your Norton.