The Phantom of the Opera

The Phantom of the Opera

A darker version of the classic Gaston Leroux novel. A young soprano becomes the obsession of a horribly disfigured composer who has plans for those oppose himself or the young singer.

In New York, the Julliard student Christine Day meets her friend Meg in the library where she works and she shows a piece of music from the unknown author Erik Destler that she has found on the shelf. Christine decides to use the music in her audition on the next day for a part in a Faust version in the New York Opera. During the audition, there is an accident on the stage and Christina faints. She relives her past life in the Nineteenth Century in London, when she is an aspirant opera singer and becomes the protégée of The Phantom of the London Opera House. The Phantom is the unknown composer Erik Destler that makes a pact with the devil in order to the world would love his music. In return, the devil destroys his face and tells that he would never be loved by anyone and would be disfigured forever. After a tragic ending, Christine awakes in the present days and has a great surprise when she is introduced to the producer of the opera. . You can read more in Google, Youtube, Wiki


The Phantom of the Opera torrent reviews

Blake P (ru) wrote: It wasn't always this way. There was a time when his idiosyncrasies were the most appealing things about him; there was a time when she knew how to laugh, how to tell herself that we live in a cruel world but there's always some kind of a way to make it worth suffering for. Years ago, he wasn't balding, wasn't dependent on the tantalizing powers of the bottle, and wasn't in a sorry state of existential denial; years ago, she was ambitious, an optimistic believer in the idea that she could put her troubled past behind her and start a new life wherein both personal and professional satisfaction would finally stop slipping away from her. But the days of merriment and possibility are over for Dean (Ryan Gosling) and Cindy (Michelle Williams) - the rapturous bond that once brought them together has effectively disintegrated. They've been married for a few years now, and are the mother and father of a little girl (Faith Wladyka). But time has only brought increasing hardship in the relationship - Cindy wants to grow and better herself, whereas Dean would prefer to cling to the safeties of his youth and continue denying his emotional immaturities. She wants out; he doesn't think anything is terribly wrong. They're in the midst of a rough patch is all. Because 2010's "Blue Valentine," directed by Derek Cianfrance, is a painfully realistic study of the dissolution of a marriage, though, things are hardly going to work out in Dean's favor. It's not so much disenchanted by the notion of holy matrimony as much as it is markedly aware that even the slightest disconnect between a romantic pair is certain to cause problems later on. Jumping back and forth between the period during which Dean and Cindy were first starting to get to know one another and the period characterized by its Cindy the last few days of their partnership, the film is a killer brute of a take on a failed relationship, so unforced in its every move that we're better seen as a fly on a wall impotently witnessing a harshly traumatic break-up. Since we're only provided with the introductory snapshots and closing fragments of the focal union, crucial is our deciphering of what came in the middle, how Dean and Cindy, once the kind of couple incapable of keeping their hands off each other, went from being so happy to so godforsakenly miserable. Cianfrance stages their unpleasant last months together with such exceptionally visceral flair that they could have stood alone as the sole basis of the movie. (The moment when Cindy asks for a divorce feels so real that the combination of frustration, sadness, and vulnerability that banded together to make her reach that point of catharsis virtually explodes.) But seeing Dean and Cindy fall in love makes the knowing of their looming split all the more heartbreaking. How can people who once cared for one another so tenderly suddenly find themselves feeling empty, alone, tired? We'd be skeptical of Cianfrance's methodologies if we weren't so positive that maybe this couple wasn't meant to be. We're never presented with a pair as perfect a match as Jesse and Cline, as Bogie and Bacall. We're instead given a duo of self-doubting young people who like the idea of love too much to truly understand what it is. Perhaps Cindy couldn't resist Dean's ticklish sense of humor, his blue-collar masculinity, or his exaggerated ways of trying to woe her. Perhaps Dean couldn't resist Cindy's girl-next-door beauty, her interest fueling shyness, or her needing to be saved. Perhaps the sex was too good for either to notice their otherwise superficial connection. When these attributes fade in preference of growing older, nothing much brings them together anymore, and that realization could very well be the nudger that pushed them in the direction of their unhappiness. That ambiguity, maddening as it can be, is piquant, if only because the opportunity to decide what really caused Dean and Cindy's failed jab at marriage thrillingly brings us to the center of the film. Cianfrance's dedication to dramatic naturalism (much of the dialogue is improvised) pays off, and Gosling and Williams (who prepared for their roles by renting a house together shortly before shooting) create one of the screen's most riveting couples. "Blue Valentine" is a wretched experience, but its strong characterizational hold prevents us from breaking away from the intense hypnotization that overwhelms us.

Lawrence P (ag) wrote: I can't even fault this movie. It just kept going and going.

Matthew W (it) wrote: This movie is a fun action suspense thriller.

Morris N (mx) wrote: I figured it would be good when my chess teacher called it "the best movie ever made about chess." It is. It's also a very good movie if you don't care about chess at all. What I really appreciated what the way it asked and gave at least partial answers to the important questions (family, competition, teacher/student, developing skills vs. leading a balanced life, etc.). It also emphasized a truth we need to hear as often as possible: that becoming a winner does not require giving up your compassion. I read the book first, and this movie takes the usual Hollywood liberties (for example, while Josh won the tournament depicted at the end of the movie, it didn't happen that way). The movie nonetheless tells the truth. It is rare to see an adaptation of a book done so well. Kudos to all involved. The cast, the direction, and the script are top flight. All the technical stuff about chess seems to be spot on as well. My only complaint is the score. The music sounds dated (too electronic) and was more what I'd expect from a regular sports film. The game of kings should have caused the musicians involved to imagine a more interesting score. I recommend this movie for everyone. Don't let the subject matter stop you from seeing this remarkable movie.

Michal S (nl) wrote: one of the best soundtracks in movies ever.

Abel D (ag) wrote: More inventive and actually funnier than Brooks' offering, Dragoti's Dracula parody is full of zany little gems, even if it does a take a while to really get going.

Margarita S (nl) wrote: Fun, fast paced and quick witted dialogue. Fine performances. So much going on, it's close to manic. Should be watched more than once to best appreciate all of its layers.

Amir K (mx) wrote: madonna sex! white body but not a full scene! what are you expecting???!!!!

Arnab B (jp) wrote: Quite amazing... an outstanding movie.

Suanne S (es) wrote: Everything is good with Gerard Butler!!!!!

Matthew F (fr) wrote: Lost in Space is a jolly old Sunday Afternoon fun for all the family film.