The Year of the First Kiss
31 year-old Tristan remembers the time when he was 15 and had just hit puberty. But he is not alone in this, he is with a large group of friends: Specki, a fat kid who is always stuffing himself, Streusel, a cheeky boy covered with spots, Tümai, a pretty Turkish girl, Kerstin, best friend of Tümai and very sporty, Elrond, with a heavy stutter, but regardless extremely popular and good looking, Lars and Simone, so far the only couple in the class who spend most of their time smooching and Long Jana, a girl who is at least 6 foot tall and extremely skinny.
- Stars:Oliver Korittke, Max Mauff, Diane Willems, Thomas Drechsel, Luana Bellinghausen, Michael Godde, Rebecca Hessing, Aimee Grinda, Michel Besl, Marvin Gronen, Nina Asseng, Johanna ter Steege, Germain Wagner, Wigand Witting, Claudia Neidig,
- Director:Kai Wessel,
- Writer:Sathyan Ramesh
31 year-old Tristan remembers the time when he was 15 and had just hit puberty. But he is not alone in this, he is with a large group of friends: Specki, a fat kid who is always stuffing ... . You can read more in Google, Youtube, Wiki
The Year of the First Kiss torrent reviews
(br) wrote: A more fitting title for the film would be "Limping."
(us) wrote: Well made local movie. Took a while to get going, but there was a good build to the bad stuff you just knew was going to happen.
(us) wrote: need to see it again .missed the beginning of the show...it was a good movie worth watching . /was on TV yesterday and will be repeated again so , i have a date with this movie ;))
(es) wrote: theyre not as good as the first one
(mx) wrote: This is an intelligent and effective film, that raises many interesting ideas and questions about the supernatural. It's a serious film, that should be seen by an audience not afraid of a story with an unhappy ending; it offers a fresh outlook to a meaningful experience about the afterworld.
(it) wrote: Great sequel from Larry Cohen.
(nl) wrote: What a mess. There are occasional visual moments that take advantage of the mythic and attain a small power. But it's more a mish-mash of "powerful" images that evoke nothing so much as a feeling of bad filmmaking.
(br) wrote: "Escape from Alcatraz" is a nifty little thriller, one whose premise is simple but whose effects are lasting and efficient. It is based on a true story, and yet it doesn't bear the characteristics that come along with a film baiting for biographical cheeriness. Rather than appear as moving fiction with an appetite for afterward discussion, it is as clear and brutish as a slice-of-life. All aspects are kept understated, dark, and quiet - it doesn't call for over-exaggerated thrills because its source is engrossing enough to fill the voids of a feature length film. And for its 112 minutes, "Escape from Alcatraz" never seems to stop building, its tension eventually transitioning into ambiguity and staying with us far longer than what we might at first believe. A good thriller, it seems, doesn't have to be big and loud to turn our blood cold. The film also works as a seamless Clint Eastwood vehicle, where his emotionless facsimile speaks volumes and where his anti-heroism fits like a glove within director Don Siegel's unforced traumas. In "Escape from Alcatraz," which begins in 1960, Eastwood is Frank Morris, a hardened criminal arriving on the island bound prison after numerous stays at other penitentiaries around the country. An inmate with a bad habit of ingeniously escaping from lock-up, he is brought to Alcatraz in hopes that the law can finally contain him. This is a prison, the sadistic warden (Patrick McGoohan) reminds him, that is renowned for being inescapable. Get out the door, fine - but what happens once faced with the many miles of surrounding water? But a life of claustrophobia isn't one of Frank's few interests; increased jail time is more preferable than not even trying to execute a nimble escape. Alcatraz presents an immediate challenge. Far-fetched as such a plot is, he enlists the help of brothers John and Clarence Anglin (Fred Ward and Jack Thibeau), finding further support through a sympathetic carjacker (Larry Hankin), a mentally unstable elder (Roberts Blossom), the prison eccentric (Frank Ronzio), and a likable killer (Paul Benjamin) whose two life sentences are the result of self-defense and living in a racially divided world. The odds aren't in their favor, but gutsiness is - and sometimes, unpretentious enterprise can be the most powerful drug in the world. What I like best about "Escape from Alcatraz" is how clipped its scenes of suspense are. A nail-biting escape sequence might act as the film's climax, but small tastes that build up to the performance of the plan, whether they be the slow but steady digging of the hole in the wall with a spoon or the creation of the dummy heads meant to trick night dwelling guards, keep the film flavorsome and enormously stimulating. We're never kept off the edge of our toes. The characters, all individuals who appear more as victims of life than they do criminals, are played by actors who know something about portraying commiserative men. The closing titles inform us that no one really knows what happened to the people that concocted the blueprint of the infamous 1962 escape - no one ever found bodies, and no one ever reported seeing them strutting their stuff on the land they so desperately yearned to see again. But non-fictional bathos holds Siegel's hand like an affectionate lover, suiting his icy style better than Clint Eastwood ever could.
(ca) wrote: Ginger Snaps is surprisingly clever and leads Isabelle and Perkins are great as the twisted death obsessed sisters.