To Be and to Have
The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
- Stars:Georges Lopez, Alizé, Axel Thouvenin, Guillaume, Jessie, Johan, Johann, Jonathan, Julien, Laura, Létitia, Marie-Elizabeth, Nathalie, Olivier, Franck,
- Director:Nicolas Philibert,
A documentary portrait of a one-room school in rural France, where the students (ranging in age from 4 to 11) are educated by a single dedicated teacher. . You can read more in Google, Youtube, Wiki
To Be and to Have torrent reviews
(ru) wrote: Enteraining and thought provoking. Is the science settled? Where does bias lie on the left/right continuum? One thing is for sure, the nat gas revolution is here and it's not going away. I've got to seek more information, but it won't be from celebrities. I'll listen to scientists and technologists and make up my mind. God, I don't trust celebrity-driven group think. Now, I want to see the film's alter-ego, "Gasland."
(de) wrote: From acclaimed director Leos Carax, comes the highly praised metafilm Holy Motors. This film details a day in the life of Monsieur Oscar, who goes about his day completing 'assignments' at his various appointments. Through the day we see as he adopts the roles of a very wealthy man, a beggar, an assassin, a sewer-dwelling beast and many others. From beginning to end Holy Motors emits both a love and a critique of films. Although film does begin to slow down midway, it is very engaging (especially due to Denis Lavants' amazing preformance) and visually gorgeous as it spans its various genres. Holy Motors is a must see for cinephiles and for those looking for a truly original film.
(it) wrote: 68% Have they come up with a name for this genre yet? By any accont it was the worst of its type I've seen so far. Horrile CGI.
(br) wrote: I wanted to like it so badly, but I was just bored to tears. The point is made, but to what end? A yawner. Nice scenery, though.
(br) wrote: Great bitter sweet story. Strange enough I used to date the Directors wife.
(ca) wrote: Edward Norton gives another amazing and Oscar-worthy performance in a movie that could have used help with a better ending.
(jp) wrote: Great to watch if you don't have something better to do, awful if you're looking for any sort of innovation.
(it) wrote: another old favorite.
(fr) wrote: Former screenwriter Michael Cimino's debut behind the camera is a charming mixture of buddy/caper/road movie. A cinematography that enhances the beautiful natural landscapes of middle america; a cast that exudes bonafide chemistry; and an unexpectedly tender conclusion to the adventure are the main reasons to treasure this film.
(jp) wrote: KES. Plain and simple: A MASTERPIECE.A powerful, memorable work of art. One that might even change your life.The film is not perfect in every detail, yet it's a masterpiece nonetheless. It's authentic. It's unpredictable. It's completely unsentimental, yet very moving. It evokes empathy. It leaves you feeling more alive. KES is an unforgettable cinematic experience because it does what very few films even try to do: it gives you a glimpse of the soul, the incorruptible SOUL.
(kr) wrote: At a certain point, many of these Burt Reynolds movies tend to blur into one. The constant use of Pontiac Firebird Trans Am's and the fact he's actually wearing another Firebird jacket (silver this time), just like in 'Smokey 2'. Yeah I get the fact the Firebird was a top American muscle car back then but with Reynolds behind the wheel, you could be watching any number of movies!The plot revolves around Reynolds as the titular Hooper, supposedly the greatest Hollywood stuntman alive. Alas old Hooper is getting old, too many crashes and too many painkillers are taking their toll on Hooper. His girlfriend (played by real time girlfriend Sally Field, probably why she's in the movie) is also fed up with Hooper's dangerous career and wants him to quit. Then along comes a much younger, fitter stuntman (Jan-Michael Vincent) who kinda challenges Hooper's position, naturally a friendly yet intense rivalry grows between them as they try to out perform each other. This eventually culminates in the chance to pull off the greatest stunt ever on the movie they are working on. Its extremely dangerous but the pay is huge, thing is, no one thinks they can do it. Hooper's bird doesn't want him to, the doc doesn't want him to, but the movies director is demanding they do it. Is it worth risking their lives for?This movie is directed by none other than Hal Needham, a good friend of Reynolds (if you couldn't tell). The story is actually loosely based around Needham's early career as a stuntman in Hollywood. 'Hollywood's greatest stuntman'? that's the films tagline on the poster, so did Needham kinda have a rather overinflated opinion of himself? or was he really that good?So if we're really honest here, the movie is just an excuse for lots and lots of stunts utilising many stuntmen in the biz. It is a comedy in case you were wondering, its not a heavy drama or anything. Its your usual slapstick affair with Reynolds doing what he does best...drive Trans Am's (did he have a sponsorship deal or something?). As you can imagine the tomfoolery on display in this movie is predictable and hokey. Pretty much every basic stunt you can think of is thrown on the screen, by real stuntmen, not Burt, although he does do the odd bit and was quite athletic back then. You got guys being thrown through windows, bar fights, horse riding, falling off horses, swinging from buildings, falling from heights, flipping cars, jumping cars, explosions, toppling buildings etc...The grand finale is a whopping sequence featuring Hooper and Ski's car trying to escape a small town set whilst it crumbles down around it. The guys must navigate a gauntlet of destruction evading explosions, falling buildings, other cars, people running around etc...and make it to a bridge which ultimately collapses. There they both attempt the huge dangerous stunt of jumping the car over the collapsed bridge (335 feet). This sequence is worth the wait as it shows many solid stunts, nothing that will blow you away these days mind you, but still dangerous well timed stunts. The best being a huge factory chimney falling down with the car just racing past underneath before it hits the ground. The actual final big leap does look good for the most part but it cuts before we see it reach the other side, so I have no idea if that stunt was actually completely successfully.The movie is ultimately about the camaraderie between Hooper and his band of stunt mates (Reynolds realtime coworkers). Its uplifting and cute for sure, but hammy as hell, as is Reynolds ladies man image which is always a part of his characters and kinda cringeworthy. Never really sure if he is just playing that image up or he genuinely thinks he's a charmer. Reynolds also manages to break the forth wall here yet again, as he has done on many of his car comedy movies.Its like a massive overlong episode of 'The Dukes of Hazzard' (James Best is here after all), or just more hijinks from The Bandit. Or, more accurately, a movie about how Hal Needham and co go about making their proper stunt filled extravaganzas, almost like a sly behind the scenes. However you look at it, it is a fun ride at times, Reynolds is clearly having a blast with his car obsessed team of Hollywood regulars, but that doesn't disguise the fact it is completely unoriginal. Yes the tale of a stuntman based on a real person is relatively fresh, but what we actually see is just more of what Reynolds has done before, with the same people (in the same cars!). Oh and the movies title/wording on the poster looks like an actual beer companies logo.
(de) wrote: A mind-bender about fate, choice, and the ways we both love and hate ourselves.