Winnie the Pooh: Seasons of Giving
A collection of Winnie the Pooh's memorable holiday adventures, as Winnie, Piglet, and Tigger set out to find the right ingredients for Winter, Rabbit learns how to manage a complicated Thanksgiving dinner, and everyone gets a special visit from a new friend. Featuring a number of delightful songs for singing along, this video is sure to become a favorite holiday classic.
- Stars:Gregg Berger, Brady Bluhm, Peter Cullen, Jim Cummings, Scott Dreier, John Fiedler, Frankie J. Galasso, Michael Gough, Amber Hood, Nikita Hopkins, Tim Hoskins, Tress MacNeille, Laurie Main, Laura Mooney, Ken Sansom,
- Director:Jun Falkenstein, Karl Geurs, Gary Katona, Ed Wexler,
- Writer:Barbara Slade, Jimmy Danelli (story), Mark Zaslove (story), Carter Crocker (teleplay), Carter Crocker, Mark Zaslove (story), Larry Bernard (teleplay),
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Winnie the Pooh: Seasons of Giving torrent reviews
(de) wrote: Nanban is llaugh riot with a sense of purpose .............hats of to the whole team
(jp) wrote: Everything that was great about the original Lake Placid is gone... replaced by awfulness that would make the SyFy channel programming department cry in agony.
(ru) wrote: Clever reinvention of classic Beatles songs, nicely sung, so story is a little irrelevant. My personal favourite musical movie.
(nl) wrote: Definitely a B movie - but worth seeing.
(gb) wrote: I love Carly Simon songs!!!! I have no idea that she is in the movie!!!!
(gb) wrote: It's more about physical comedy and sight gags rather than wordplay and unlike most of their monster meetings, this one feels like a real B-movie. Bud & Lou still dish out the laughs though and Karloff is great as always playing Jekyll with a great hypocritical glee.
(jp) wrote: In this, director Louis Malle's second film, which for awhile seems like it will be another high society soap opera, a seemingly arbitrary plot detour occurs that places the beautiful Jeanne Moreau in a situation all the less convenient and all the more frustrating because of how accustomed she has become to her privilege. Consequently, Moreau is less like a Sex and the City character and more of a realization that a social ladder does not leave problems below it. They follow you from decision to decision to decision. And the further up it she climbs, the less considerate her decisions seem to be of the world outside of herself.As a 25-year-old French director at the dawn of the New Wave, he was not alone in satirizing and criticizing the bourgeoisie. Ironically, being younger than fellow Nouveau filmmakers Godard and Truffaut, as well as having been born into a wealthy industrialist family, had no hand in blinding him by way of his privileged ego. Watching this biting romantic drama about adultery and the reality and illusion of rediscovering love, I see that Malle understood the upper-class freedom of never having to worry about tomorrow, and not only does he characterize it with an almost humorously frustrating edge, he wisely satirizes love at first sight.The movie was made in 1958, but Malle's style has yet to garner an expiration date. There are no outdated lap dissolves or screen wipes or quick fade-outs. The controversy at the time surrounding this film's alleged obscenity had a rebounding effect on the flimsy subjectivity of society's accusations. He was simply being honest, which he is in the aforementioned portrayals beyond the simple night of passionate love Moreau has with her lover. Instead of a coy imitation of a spectator blushing and looking away, as many other films did and still do when the camera moves to the window or the ceiling, Malle fixates on her ecstasy. Even now, rarely do we see a close shot of a woman's sexual pleasure.A bit like Woody Allen would come to do in a few decades, Malle tends to saturate his soundtracks with a single composer. Here, it is Johannes Brahms, whose music is a brilliantly and acutely intuitive choice for the film since, much like the characters, he has a classical sense of form and order yet he's bold in his exploration of harmony and rhythm.