You Are the Apple of My Eye
Adolescence is like a heavy rain. Even though you catch a cold from it, you still look forward to experiencing it once again. Ko-Teng has several close friends who had a crush on Shen Chia-Yi. Those friends of Ko's thus moved in unison from Ching Chengs junior high school straight into the senior high school division in pursuit of her. Naughty in nature, Ko was ordered by their homeroom teacher to sit in front of honor student Shen for her to keep close tabs on him. The two hadn't hit it off at first but Ko gradually fell for Shen, who was always pressuring him to study hard. On the other hand, Shen became impressed by the contrasting values Ko represented. Ko started pursuing Shen but Shen remained hesitant.
Adolescence is like a heavy rain. Even though you catch a cold from it, you still look forward to experiencing it once again. Ko-Teng has several close friends who had a crush on Shen ... . You can read more in Google, Youtube, Wiki
You Are the Apple of My Eye torrent reviews
(us) wrote: Enjoyable comedy about a woman making wrong number phone calls to get in touch and make human relationships. The love story is a bit trite and predictable, but the miss-dials (get it, get it) are good, and the consumer rep calls are hilarious.
(mx) wrote: This. Movie I love it
(br) wrote: I went toward it in dread of a bad shmaltzy Usa rethread. Instead, i got a classic for the ages (but with the overabundance of available ''products'' these days, it unfortunately kind of went under the radar). Forget that its the remake of a swedish movie made barely 2years prior; its really a new visual reading of one novel. Every single frame is exquisite, the narrative construction is carefully laid out and paced with a bull's eye for every point and the acting from everyone is just perfect (its one those rare movies starring kids thats a blast thanks to how good they are, like Goonies, Stand by me and Stranger Things). I never cared much for love stories but this one is so dreamy, it comes as a surprise each time the tight suspense and effective bloodshed pops back in. I know some will say its blasphemy but I find it superior to the original (which was excellent itself but not as great); its more propulsive, much warmer, more tender yet more taut.
(ag) wrote: Well, I liked it. It was odd to say the least, but I liked it never the less.
(fr) wrote: A feel-good, heartwarming film full of laughs and touching moments. The performances are top-notch and Cameron Crowe's writing and direction are on-point, Jerry Maguire is a romantic comedy that makes you fall in love with its likable and realistic characters. Nothing in this film feels fake or forced. Brilliant!
(mx) wrote: O.K cannibal flick involving two girls who's parents were convicted for cannbalism. Not as good as i hoped it would be. But still fun non the less.
(au) wrote: love this movie, very dry british wit.. but still very smartly made...
(gb) wrote: Another Beach Party movie like "Ski Party" that's not quite really a Beach Party film, but is pretty close. In "Ski Party" Annette was gone from the film outside of a cameo and on this film it's Frankie who only briefly makes an appearance. Also, like "Ski Party" the beach does not figure into this film, though there is still a lot of bikinis for the various pool party scenes. Tommy Kirk fill's Frankie's role as the male lead, but he's playing a martian teenager who's been sent to earch to prepare for a martian invasion. Series regulars Jody McCrea, Buster Keaton, Don Rickles and Harvey Lembeck as Eric Von Zipper all appear in the film. Dorothy Lamour has a small role and if you watch the background dancers, you can see a very young Teri Garr and Toni Basil. Although it's hard to differentiate the Frankie and Annette Beach Party films, this one seemed the weakest, probably because of no memorable songs and the lack of beach.
(us) wrote: Waiting for the Titanic to hit an iceberg and sink is worth waiting for!
(it) wrote: Cristoph Waltz, as a clever and manipulative Nazi foil for the rest of the protagonists, elevates this humorously violent Tarantino product from just being another sadistic, chaotic satire--this time of the Allies-German War during the 1940s. But, I must say that I am thoroughly entertained with all the dialogue and banter between these misfits, killers, and psychopaths.
(br) wrote: The troubled psyche of elementary school teacher slash town vigilante is poorly developed and simplistically explained in what could be an intriguing story about a good girl gone badass.
(au) wrote: "Who's Jade Spence?" Vivian (Roman Garai) asks her friend, the beautiful but ferociously neurotic Sondra Pransky (Scarlett Johansson). Sondra grimaces. "A would-be investigative reporter who has fallen in love with the object of her investigation." Sondra is a journalism student visiting friends (Vivian being one of them) in London over the summer. Her initial goals were to spend the next three months taking in the sun, seeing the sights, and indulging herself in fine foods - but plans of leisure have been halted in search of a scoop. While attending a magic show headlined by Sid Waterman (Woody Allen), Sondra is called onstage to act as his assistant, a memorable treat for any young tourist. But during her participation in the age-old Dematerialization gag, the shock of her life hits her like a truck. In the booth with her is Joe Strombel (Ian McShane), a legendary journalist whose recent death has rocked the news circuit. Though a ghost (just go with it), Sondra is surprised that Joe appears to be made of flesh and blood. More surprising, though, is the information he has to share with her. Upon traveling down the Styx, he encountered Jane Cook (Fenella Woolgar), the former assistant of socialite Peter Lyman (Hugh Jackman). One should put emphasis on "former," though: Jane suspects that she was poisoned, and that Peter was the perpetrator. Why? She believed him to be the Tarot Card Killer, a prolific London serial murderer specializing in the offings of prostitutes. As a cognoscente of hard hitting stories, Joe is taken by the proclamation and decides that he's not going to let death stop him from otherworldly justice seeking. Why he chooses Sondra to prolong his legacy, who we suspect has gone into journalism only recently (we're repeatedly reminded that she, for most of her young life, had planned to become a dental hygienist), is curious. But we, and Sondra, go along with it, as the proposal is interesting and because such an explosive piece cannot go ignored. Unsure how to go about her work, Sondra befuddlingly enlists the help of Sid, for no other apparent reason besides the fact that his disappearing booth held Joe's spirit. But they get along decently, proving to be an entertaining pair of snoops with a lot in common with Lily Tomlin and Art Carney in 1977's "The Late Show." Smartly (if perhaps dangerously), the two figure the best way to force their way into Peter's social circle is through seduction; Sondra, luckily, is a hot blond who doesn't know it, the classic stereotype of the woman who doesn't become the babe until she takes off her glasses. She turns herself into Jade Spence, and introduces Sid as her father. Unconvincingly (notice how Sondra struggles for far too long picking out a fake name), their plan works - Sondra and Peter almost immediately hit it off. But things are complicated when our heroine hazardously falling in love with her topic of interest, ignoring facts that are more than just a little suspicious. 2006's "Scoop" is "Nancy Drew" lite, "Manhattan Murder Mystery" lite, and, most emphatically, Woody Allen lite. It's the dreaded type of film Allen die-hards are prone to finding in an age where he either makes terrific dramas or aggravatingly slight comedies. Unfortunately, "Scoop" is of the latter category, a case of fizzy auto-pilot that manages to be amusing but not much more than that. Allen phoning it in is a phenomenon that has been occurring since the early 2000s (just look at "The Curse of the Jade Scorpion" and "To Rome with Love"), but I've never been bothered by it - his weightless larks are trifling, sure, yet they always carry a sweet energy that makes them more sugary than bad. "Scoop" isn't bad, but it's not very good either, and that's no way to go about moviemaking or moviewatching. It begins charismatically, but not much time passes before we begin to notice that Johansson's Sondra is little more than the female version of a cartoonishly rendered Allen, that the central mystery isn't luring enough to disguise the fact that the film is mostly a vehicle for its writer/director/star to spew out half-baked one-liners and spend time with his muse. And I'm only partially downcast by this distinction; as I love Allen and Johansson (especially when in the presence of the other), there is a certain sort of joy to be found in seeing them trade barbs, in seeing them play off of one each other like some vaudevillian comic pair. But I'm also turned off by Jackman's forced performance (not the fault of Jackman himself), which requires him to act and react in ways no one would in his situation, the entire supernatural angle, and the pestering feeling that the film might have been better if Allen hadn't cast himself as one of its two detective heroes. But I don't want to be too harsh on "Scoop," since I did like it and since it's inoffensive and can easily be avoided if you're looking for Allen at his prime - he's got a lot more to offer, in the meantime. But traveling on auto-pilot isn't a rewarding thing to do. I just wish Allen weren't so dependent on it.